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The technical part of chronology, or the art of computing and adjusting time, as it is very difficult, so it is not of absolute necessity, but should, however, be taught, so far as it can be learned without the loss of those hours which are required for attainments of nearer concern. The student may join with this treatise Le Clerc’s Compendium of History; and afterwards may, for the historical part of chronology, procure Helvicus’s and Isaacson’s Tables; and, if he is desirous of attaining the technical part, may first peruse Holder’s Account of Time, Hearne’s Ductor Historicus, Strauchius, the first part of Petavius’s Rationarium Temporum; and, at length, Scaliger de Emendatiene Temporum. And, for instruction in the method of his historical studies, he may consult Hearne’s Ductor Historicus, Wheare’s Lectures, Rawlinson’s Directions for the Study of History; and, for ecclesiastical history, Cave and Dupin, Baronius and Fleury.

5. Rhetorick and poetry supply life with its highest intellectual pleasures; and, in the hands of virtue, are of great use for the impression of just sentiments, and recommendation of illustrious examples. In the practice of these great arts, so much more is the effect of nature than the effect of education, that nothing is attempted here but to teach the mind some general heads of observation, to which the beautiful passages of the best writers may commonly be reduced. In the use of this, it is not proper that the teacher should confine himself to the examples before him; for, by that method, he will never enable his pupils to make just application of the rules; but, having inculcated the true meaning of each figure, he should require them to exemplify it by their own observations, pointing to them the poem, or, in longer works, the book or canto in which an example may be found, and leaving them to discover the particular passage, by the light of the rules which they have lately learned.

For a farther progress in these studies, they may consult Quintilian, and Vossius’s Rhetorick; the art of poetry will be best learned from Bossu and Bohours in French, together with Dryden’s Essays and Prefaces, the critical Papers of Addison, Spence on Pope’s Odyssey, and Trapp’s Praelectiones Poeticae: but a more accurate and philosophical account is expected from a commentary upon Aristotle’s Art of Poetry, with which the literature of this nation will be, in a short time, augmented.

6. With regard to the practice of drawing, it is not necessary to give any directions, the use of the treatise being only to teach the proper method of imitating the figures which are annexed. It will be proper to incite the scholars to industry, by showing in other books the use of the art, and informing them how much it assists the apprehension, and relieves the memory; and if they are obliged sometimes to write descriptions of engines, utensils, or any complex pieces of workmanship, they will more fully apprehend the necessity of an expedient which so happily supplies the defects of language, and enables the eye to conceive what cannot be conveyed to the mind any other way. When they have read this treatise, and practised upon these figures, their theory may be improved by the Jesuit’s Perspective, and their manual operations by other figures which may be easily procured.

7. Logick, or the art of arranging and connecting ideas, of forming and examining arguments, is universally allowed to be an attainment, in the utmost degree, worthy the ambition of that being whose highest honour is to be endued with reason; but it is doubted whether that ambition has yet been gratified, and whether the powers of ratiocination have been much improved by any systems of art, or methodical institutions. The logick, which for so many ages kept possession of the schools, has at last been condemned as a mere art of wrangling, of very little use in the pursuit of truth; and later writers have contented themselves with giving an account of the operations of the mind, marking the various stages of her progress, and giving some general rules for the regulation of her conduct. The method of these writers is here followed; but without a servile adherence to any, and with endeavours to make improvements upon all. This work, however laborious, has yet been fruitless, if there be truth in an observation very frequently made, that logicians out of the school do not reason better than men unassisted by those lights which their science is supposed to bestow. It is not to be doubted but that logicians may be sometimes overborne by their passions, or blinded by their prejudices; and that a man may reason ill, as he may act ill, not because he does not know what is right, but because he does not regard it; yet it is no more the fault of his art that it does not direct him, when his attention is withdrawn from it, than it is the defect of his sight that he misses his way, when he shuts his eyes. Against this cause of errour there is no provision to be made, otherwise than by inculcating the value of truth, and the necessity of conquering the passions. But logick may, likewise, fail to produce its effects upon common occasions, for want of being frequently and familiarly applied, till its precepts may direct the mind imperceptibly, as the fingers of a musician are regulated by his knowledge of the tune. This readiness of recollection is only to be procured by frequent impression; and, therefore, it will be proper, when logick has been once learned, the teacher take frequent occasion, in the most easy and familiar conversation, to observe when its rules are preserved, and when they are broken; and that afterwards he read no authors, without exacting of his pupil an account of every remarkable exemplification or breach of the laws of reasoning.