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Joseph was, the chronicler informs us, young “a goodly person and well favored.” His Hebraic type of manly beauty and mercurial temperament must have contrasted strangely with Mrs. Potiphar’s dark and stolid countrymen. Mistress and slave were much together, the master’s duties requiring his presence near his prince. Time hung heavily on the lady’s hands and, as an ennui antidote, she embarked in a desperate flirtation with the handsome fellow, for Egypt’s dark-eyed daughters dearly love to play fast and loose with the hearts of men. Of course it was very wrong; but youth and beauty will not be strictly bound, the opportunity seemed made for mischief, and Mrs. Potiphar cared little for her lord–a grizzly old warrior who treated her as a pretty toy his wealth had purchased, to be petted or put aside at pleasure.

A neglected wife whose charms attract the admiring eyes of men may not depart one step from the straight and narrow path, but her husband’s honor stands ever within the pale of danger. Let that husband whose courtship ceased at Hymen’s shrine, who is a gallant abroad and a boor at home, keep watch and ward, for homage is sweet even to wedded women.

While Potiphar played the petty tyrant and exacted of his wife a blind obedience, Joseph sang to her songs she loved–plaintive tales of tender passion, of enchanted monarchs and maids of matchless beauty. He culled the fairest flowers from the great garden and wove them into garlands to deck her hair, dark as that lingering night which Moses laid upon the Valley of the Nile. He gave her a thousand little attentions so grateful to womankind, and worshiped her, not presumptuously, but with the sacred awe of a simple desert child turning his face to greet the rising sun. They were of the same age,–that age when the heart beats in passionate rebellion against cold precepts, the blood riots in the veins like molten rubies and all life seems made for love, for day dreams golden as the dawn, for sighs and sweet companionship. What wonder that she sometimes into the cool left her lord to his heavy slumbers and crept into the cool gardens with the handsome Hebrew boy; that they walked, hand clasped in hand, beneath the tall palms that nodded knowingly, and whispered sweet nothings while the mellow moonlight quivered on the Nile and sad Philomela poured forth her plaintive song like a flood of lover’s tears? All day long they were alone together,–those children of the world’s youth, when life was strong and moral law was weak. When the summer sun rode high in heaven and sent his burnished shafts straight down into the white streets and swooning gardens; when the great house was closed to shut out the blinding glare and in the court cool fountains cast their grateful spray, what wonder that she bade him sit at her feet and sing the love songs of his native land, wild prototypes of those which Solomon poured from the depths of his sensuous soul to his sweet Rose of Sharon?

“Behold thou art fair, my love, behold thou art fair; Thou hast dove’s eyes, thy lips are like a thread of scarlet, Thy breast like young roes that feed among the lilies. Set me as a seal upon thy heart, a seal upon thy arm, For love is strong as death, jealousy is cruel as the grave.”

The song dies out and the languorous stillness is broken only by the splashing of the fountains in the great marble basins and the drowsy hum of a bee among the blossoms. The lad’s head has sunk down upon the lady’s knee and she is watching the tears trembling on his drooping lashes and wondering, with a little thrill of pain, if he has a sweetheart in his own land, of whom he is so sadly dreaming. She thanks him for the song in a voice low and sweet as the musical ripple of the sacred river among the reeds–she dazzles him with her great Egyptian eyes, those ebon orbs in which ever lurks the sensuous splendor of a summer night’s high moon. Her hand strays carelessly among his curls as she punctuates with sighs and tears his oft-told tale of unkind brethren, the gloomy cave, the coat of many colors dipped in blood of the slaughtered kid, the cruel goad of godless Midianite, driving him on and on through burning sands and ‘neath a blazing sun, far from his tearful mother and mourning sire. How cruel the fates to consign to slavery one born to be a king! His master is a hard man and covetous, but her pleadings shall yet purchase sweet liberty for old Jacob’s son, that he may fulfill the high dreams of which he has told her–may answer the midnight messages of Israel’s God and triumph over those wicked brethren. Perhaps–who knows?–in his own land he will become a mighty prince and treat with proud Pharaoh on equal terms. Will he remember her, his only friend in a land of foes? Will he think of her when Ammon is o’erthrown and proud Moab pays his tribute? Ah, no! When a crown of jewels blazes on his brow and the sack- cloth of the slave is exchanged for imperial purple, he’ll think no more of the lonely little woman by Nilus bank, who prays that Isis will magnify his power, that Osiris will shield him when the Hebrew sword rings on the Hivite spear. He will take to wife some fair cousin of Esau’s house, a maid more beauteous far than those who drink the sweet waters of the south. Old Abram’s daughters are fair and have dove’s eyes; their lips are as threads of scarlet and their breasts like young roes that feed among the lilies. Does not the song say so? But those of Egypt–oh, unhappy Egypt!