FullReads

“To pluck the eyes of sentiment,
And dock the tail of rhyme,
To crack the voice of melody,
And break the legs of time.”

They were sworn enemies of the Muses; haters of stage-play literature, profane songs, and wanton sonnets; of everything, in brief, which reminded them of the days of the roistering cavaliers and bedizened beauties of the court of “the man Charles,” whose head had fallen beneath the sword of Puritan justice. Hard, harsh, unlovely, yet with many virtues and noble points of character, they were fitted, doubtless, for their work of pioneers in the wilderness. Sternly faithful to duty, in peril, and suffering, and self-denial, they wrought out the noblest of historical epics on the rough soil of New England. They lived a truer poetry than Homer or Virgil wrote.

The Patuckets, once a powerful native tribe, had their principal settlements around the falls at the time of the visit of the white men of Concord and Woburn in 1652. Gookin, the Indian historian, states that this tribe was almost wholly destroyed by the great pestilence of 1612. In 1674 they had but two hundred and fifty males in the whole tribe. Their chief sachem lived opposite the falls; and it was in his wigwam that the historian, in company with John Eliot, the Indian missionary, held a “meeting for worshippe on ye 5th of May, 1676,” where Mr. Eliot preached from “ye twenty-second of Matthew.”

The white visitants from Concord and Woburn, pleased with the appearance of the place and the prospect it afforded for planting and fishing, petitioned the General Court for a grant of the entire tract of land now embraced in the limits of Lowell and Chelmsford. They made no account whatever of the rights of the poor Patuckets; but, considering it “a comfortable place to accommodate God’s people upon,” were doubtless prepared to deal with the heathen inhabitants as Joshua the son of Nun did with the Jebusites and Perizzites, the Hivites and the Hittites, of old. The Indians, however, found a friend in the apostle Eliot, who presented a petition in their behalf that the lands lying around the Patucket and Wamesit Falls should be appropriated exclusively for their benefit and use. The Court granted the petition of the whites, with the exception of the tract in the angle of the two rivers on which the Patuckets were settled. The Indian title to this tract was not finally extinguished until 1726, when the beautiful name of Wamesit was lost in that of Chelmsford, and the last of the Patuckets turned his back upon the graves of his fathers and sought a new home among the strange Indians of the North.

But what has all this to do with the falls? When the rail-cars came thundering through his lake country, Wordsworth attempted to exorcise them by a sonnet; and, were I not a very decided Yankee, I might possibly follow his example, and utter in this connection my protest against the desecration of Patucket Falls, and battle with objurgatory stanzas these dams and mills, as Balmawapple shot off his horse-pistol at Stirling Castle. Rocks and trees, rapids, cascades, and other water- works are doubtless all very well; but on the whole, considering our seven months of frost, are not cotton shirts and woollen coats still better? As for the spirits of the river, the Merrimac Naiads, or whatever may be their name in Indian vocabulary, they have no good reason for complaint; inasmuch as Nature, in marking and scooping out the channel of their stream, seems to have had an eye to the useful rather than the picturesque. After a few preliminary antics and youthful vagaries up among the White Hills, the Merrimac comes down to the seaboard, a clear, cheerful, hard-working Yankee river. Its numerous falls and rapids are such as seem to invite the engineer’s level rather than the pencil of the tourist; and the mason who piles up the huge brick fabrics at their feet is seldom, I suspect, troubled with sentimental remorse or poetical misgivings. Staid and matter of fact as the Merrimac is, it has, nevertheless, certain capricious and eccentric tributaries; the Powow, for instance, with its eighty feet fall in a few rods, and that wild, Indian-haunted Spicket, taking its wellnigh perpendicular leap of thirty feet, within sight of the village meeting- house, kicking up its Pagan heels, Sundays and all, in sheer contempt of Puritan tithing-men. This latter waterfall is now somewhat modified by the hand of Art, but is still, as Professor Hitchcock’s “Scenographical Geology” says of it, “an object of no little interest.” My friend T., favorably known as the translator of “Undine” and as a writer of fine and delicate imagination, visited Spicket Falls before the sound of a hammer or the click of a trowel had been heard beside them. His journal of “A Day on the Merrimac” gives a pleasing and vivid description of their original appearance as viewed through the telescope of a poetic fancy. The readers of “Undine” will thank me for a passage or two from this sketch:–

“The sound of the waters swells more deeply. Something supernatural in their confused murmur; it makes me better understand and sympathize with the writer of the Apocalypse when he speaks of the voice of many waters, heaping image upon image, to impart the vigor of his conception.

“Through yonder elm-branches I catch a few snowy glimpses of foam in the air. See that spray and vapor rolling up the evergreen on my left The two side precipices, one hundred feet apart and excluding objects of inferior moment, darken and concentrate the view. The waters between pour over the right-hand and left-hand summit, rushing down and uniting among the craggiest and abruptest of rocks. Oh for a whole mountain- side of that living foam! The sun impresses a faint prismatic hue. These falls, compared with those of the Missouri, are nothing,–nothing but the merest miniature; and yet they assist me in forming some conception of that glorious expanse.

“A fragment of an oak, struck off by lightning, struggles with the current midway down; while the shattered trunk frowns above the desolation, majestic in ruin. This is near the southern cliff. Farther north a crag rises out of the stream, its upper surface covered with green clover of the most vivid freshness. Not only all night, but all day, has the dew lain upon its purity. With my eye attaining the uppermost margin, where the waters shoot over, I look away into the western sky, and discern there (what you least expect) a cow chewing her cud with admirable composure, and higher up several sheep and lambs browsing celestial buds. They stand on the eminence that forms the background of my present view. The illusion is extremely picturesque,– such as Allston himself would despair of producing. ‘Who can paint like Nature’?”