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Patrick Henry
by
Patrick Henry’s triumph was heralded throughout New England and gave strength and courage to those of feeble knees. From a Colonial he sprang into national fame, and his own words, “I am not a Virginian–I am an American!” went ringing through New England hills.
Meantime, Patrick Henry went back to his farm and law-office. His wife rejoiced in his success, laughed with him at his mishaps and was always the helpful, uncomplaining comrade, and as he himself expressed it, “My best friend.” And when he would get back home from one of his trips, the neighbors would gather to hear from his own lips about what he had done and said. He was still the unaffected countryman, seemingly careless, happy and indolent. It was on the occasion of one of these family gatherings that a contemporary saw him and wrote: “In mock complaint he exclaimed, ‘How can I play the fiddle with two babies on each knee and three on my back!'”
So the years went by in work, play and gradually widening fame. Patrick Henry grew with his work–the years gave him dignity–gradually the thought of his heart ‘graved its lines upon his face. The mouth became firm and the entire look of the man was that of earnest resolution. Fate was pushing him on. What once was only whispered, he had voiced in trumpet tones; the thought of liberty was being openly expressed even in pulpits.
He had been returned to the Legislature, was a member of the Continental Congress, and rode horseback side by side with Washington and Pendleton to Philadelphia, as told at length in Washington’s diary.
In his utterances he was a little less fiery, but in his heart, everybody who knew him at all realized that there dwelt the thought of liberty for the Colonies. John Adams wrote to Abigail that Patrick Henry looked like a Quaker preacher turned Presbyterian.
A year later came what has been rightly called the third great speech of Henry’s life, the speech at the Revolutionary Convention at Richmond. Good people often expect to hear oratory at a banquet, a lyceum lecture, or in a Sunday sermon; but oratory is neither lecture, talk, harangue, declamation nor preaching. Of course we say that the great speech is the one that has been given many times, but the fact is, the great speech is never given but once.
The time is ripe–the hour arrives–mighty issues tremble in the balances. The auditors are not there to be amused nor instructed–they have not stopped at the box-office and paid good money to have their senses alternately lulled and titillated. No! The question is that of liberty or bondage, life or death–passion is in the saddle–hate and prejudice are sweeping events into a maelstrom–and now is the time for oratory! Such occasions are as rare as the birth of stars. A man stands before you–it is no time for fine phrasing–no time for pose or platitude. Self-consciousness is swallowed up in purpose. He is as calm as the waters above the Rapids of Niagara, as composed as a lioness before she makes her spring. Intensity measures itself in perfect poise. And Patrick Henry arises to speak. Those who love the man pray for him in breathless silence, and the many who hate him in their hearts curse him. Pale faces grow paler, throats swallow hard, hands clutch at nothing, and open and shut in nervous spasms. It is the hour of fate.
Patrick Henry speaks:
Mr. President: It is natural for man to indulge in the illusions of hope. We are apt to shut our eyes against a painful truth, and listen to the song of the siren until she transforms us into beasts. Is this the part of wise men, engaged in a great and arduous struggle for liberty? Are we disposed to be of the number of those who having eyes see not, and having ears hear not the things which so nearly concern their temporal salvation? For my part, whatever anguish of spirit it may cost, I am willing to know the whole truth; to know the worst and to provide for it.