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Yet, after all–as one proof how much more commanding is that part of a literature which speaks to the elementary affections of men, than that which is founded on the mutable aspects of manners–it is a fact that, even in our elaborate system of society, where an undue value is unavoidably given to the whole science of social intercourse, and a continual irritation applied to the sensibilities which point in that direction; still, under all these advantages, Pope himself is less read, less quoted, less thought of, than the elder and graver section of our literature. It is a great calamity for an author such as Pope, that, generally speaking, it requires so much experience of life to enjoy his peculiar felicities as must argue an age likely to have impaired the general capacity for enjoyment. For my part, I had myself a very slender acquaintance with this chapter of our literature; and what little I had was generally, at that period of my life, as, with most men, it continues to be to the end of life, a reflex knowledge, acquired through those pleasant miscellanies, half gossip, half criticism–such as Warton’s Essay on Pope, Boswell’s Johnson, Mathias’ Pursuits of Literature, and many scores beside of the same indeterminate class; a class, however, which do a real service to literature, by diffusing an indirect knowledge of fine writers in their most effective passages, where else, in a direct shape, it would often never extend.

In some parts, then, having even a profound knowledge of our literature, in all parts having some, I felt it to be impossible that I should familiarly associate with those who had none at all; not so much as a mere historical knowledge of the literature in its capital names and their chronological succession. Do I mention this in disparagement of Oxford? By no means. Among the undergraduates of higher standing, and occasionally, perhaps, of my own, I have since learned that many might have been found eminently accomplished in this particular. But seniors do not seek after juniors; they must be sought; and, with my previous bias to solitude, a bias equally composed of impulses and motives, I had no disposition to take trouble in seeking any man for any purpose.

But, on this subject, a fact still remains to be told, of which I am justly proud; and it will serve, beyond anything else that I can say, to measure the degree of my intellectual development. On coming to Oxford, I had taken up one position in advance of my age by full thirty years: that appreciation of Wordsworth, which it has taken full thirty years to establish amongst the public, I had already made, and had made operative to my own intellectual culture in the same year when I clandestinely quitted school. Already, in 1802, I had addressed a letter of fervent admiration to Mr. Wordsworth. I did not send it until the spring of 1803; and, from misdirection, it did not come into his hands for some months. But I had an answer from Mr. Wordsworth before I was eighteen; and that my letter was thought to express the homage of an enlightened admirer, may be inferred from the fact that his answer was long and full. On this anecdote I do not mean to dwell; but I cannot allow the reader to overlook the circumstances of the case. At this day, it is true, no journal can be taken up which does not habitually speak of Mr. Wordsworth as of a great if not the great poet of the age. Mr. Bulwer, living in the intensest pressure of the world, and, though recoiling continually from the judgments of the world, yet never in any violent degree, ascribes to Mr. Wordsworth (in his England and the English, p. 308) “an influence of a more noble and purely intellectual character, than any writer of our age or nation has exercised.” Such is the opinion held of this great poet in 1835; but what were those of 1805-15,–nay, of 1825? For twenty years after the date of that letter to Mr. Wordsworth above referred to, language was exhausted, ingenuity was put on the rack, in the search after images and expressions vile enough–insolent enough–to convey the unutterable contempt avowed for all that he had written, by the fashionable critics. One critic–who still, I believe, edits a rather popular journal, and who belongs to that class, feeble, fluttering, ingenious, who make it their highest ambition not to lead, but, with a slave’s adulation, to obey and to follow all the caprices of the public mind–described Mr. Wordsworth as resembling, in the quality of his mind, an old nurse babbling in her paralytic dotage to sucking babies. If this insult was peculiarly felt by Mr. Wordsworth, it was on a consideration of the unusual imbecility of him who offered it, and not because in itself it was baser or more insolent than the language held by the majority of journalists who then echoed the public voice. Blackwood’s Magazine (1817) first accustomed the public ear to the language of admiration coupled with the name of Wordsworth. This began with Professor Wilson; and well I remember–nay, the proofs are still easy to hunt up–that, for eight or ten years, this singularity of opinion, having no countenance from other journals, was treated as a whim, a paradox, a bold extravagance, of the Blackwood critics. Mr. Wordsworth’s neighbors in Westmoreland, who had (generally speaking) a profound contempt for him, used to rebut the testimony of Blackwood by one constant reply–“Ay, Blackwood praises Wordsworth, but who else praises him?” In short, up to 1820, the name of Wordsworth was trampled under foot; from 1820 to 1830, it was militant; from 1830 to 1835, it has been triumphant. In 1803, when I entered at Oxford, that name was absolutely unknown; and the finger of scorn, pointed at it in 1802 by the first or second number of the Edinburgh Review, failed to reach its mark from absolute defect of knowledge in the public mind. Some fifty beside myself knew who was meant by “that poet who had cautioned his friend against growing double,” etc.; to all others it was a profound secret.