PAGE 12
Other Characteristics (Aesthetic Elements In Religion)
by
“How, one after another, the same features are reproduced in the prophetic books. The process is always extremely different from what it would be if the prophet arrived at his insight into spiritual things by the tentative efforts of his own genius. There is something sharp and sudden about it. He can lay his finger, so to speak, on the moment when it came. And it always comes in the form of an overpowering force from without, against which he struggles, but in vain. Listen, for instance, [to] the opening of the book of Jeremiah. Read through in like manner the first two chapters of the prophecy of Ezekiel.
“It is not, however, only at the beginning of his career that the prophet passes through a crisis which is clearly not self- caused. Scattered all through the prophetic writings are expressions which speak of some strong and irresistible impulse coming down upon the prophet, determining his attitude to the events of his time, constraining his utterance, making his words the vehicle of a higher meaning than their own. For instance, this of Isaiah’s: ‘The Lord spake thus to me with a strong hand,’–an emphatic phrase which denotes the overmastering nature of the impulse–‘and instructed me that I should not walk in the way of this people.’ … Or passages like this from Ezekiel: ‘The hand of the Lord God fell upon me,’ ‘The hand of the Lord was strong upon me.’ The one standing characteristic of the prophet is that he speaks with the authority of Jehovah himself. Hence it is that the prophets one and all preface their addresses so confidently, ‘The Word of the Lord,’ or ‘Thus saith the Lord.’ They have even the audacity to speak in the first person, as if Jehovah himself were speaking. As in Isaiah: ‘Hearken unto me, O Jacob, and Israel my called; I am He, I am the First, I also am the last,’–and so on. The personality of the prophet sinks entirely into the background; he feels himself for the time being the mouthpiece of the Almighty.”[25]
[25] W. Sanday: The Oracles of God, London, 1892, pp. 49-56, abridged.
“We need to remember that prophecy was a profession, and that the prophets formed a professional class. There were schools of the prophets, in which the gift was regularly cultivated. A group of young men would gather round some commanding figure–a Samuel or an Elisha–and would not only record or spread the knowledge of his sayings and doings, but seek to catch themselves something of his inspiration. It seems that music played its part in their exercises…. It is perfectly clear that by no means all of these Sons of the prophets ever succeeded in acquiring more than a very small share in the gift which they sought. It was clearly possible to ‘counterfeit’ prophecy. Sometimes this was done deliberately…. But it by no means follows that in all cases where a false message was given, the giver of it was altogether conscious of what he was doing.[26]
[26] Op. cit., p. 91. This author also cites Moses’s and Isaiah’s commissions, as given in Exodus, chaps. iii. and iv., and Isaiah, chap. vi.
Here, to take another Jewish case, is the way in which Philo of Alexandria describes his inspiration:–
“Sometimes, when I have come to my work empty, I have suddenly become full; ideas being in an invisible manner showered upon me, and implanted in me from on high; so that through the influence of divine inspiration, I have become greatly excited, and have known neither the place in which I was, nor those who were present, nor myself, nor what I was saying, nor what I was writing, for then I have been conscious of a richness of interpretation, an enjoyment of light, a most penetrating insight, a most manifest energy in all that was to be done; having such effect on my mind as the clearest ocular demonstration would have on the eyes.”[27]