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Other Characteristics (Aesthetic Elements In Religion)
by
[19] James Martineau: end of the sermon “Help Thou Mine Unbelief,” in Endeavours after a Christian Life, 2d series. Compare with this page the extract from Voysey on p. 270, above, and those from Pascal and Madame Guyon on p. 281.
When we see all things in God, and refer all things to him, we read in common matters superior expressions of meaning. The deadness with which custom invests the familiar vanishes, and existence as a whole appears transfigured. The state of a mind thus awakened from torpor is well expressed in these words, which I take from a friend’s letter:–
“If we occupy ourselves in summing up all the mercies and bounties we are privileged to have, we are overwhelmed by their number (so great that we can imagine ourselves unable to give ourselves time even to begin to review the things we may imagine WE HAVE NOT). We sum them and realize that WE ARE ACTUALLY KILLED WITH GOD’S KINDNESS; that we are surrounded by bounties upon bounties, without which all would fall. Should we not love it; should we not feel buoyed up by the Eternal Arms?”
Sometimes this realization that facts are of divine sending, instead of being habitual, is casual, like a mystical experience. Father Gratry gives this instance from his youthful melancholy period:–
“One day I had a moment of consolation, because I met with something which seemed to me ideally perfect. It was a poor drummer beating the tattoo in the streets of Paris. I walked behind him in returning to the school on the evening of a holiday. His drum gave out the tattoo in such a way that, at that moment at least, however peevish I were, I could find no pretext for fault-finding. It was impossible to conceive more nerve or spirit, better time or measure, more clearness or richness, than were in this drumming. Ideal desire could go no farther in that direction. I was enchanted and consoled; the perfection of this wretched act did me good. Good is at least possible, I said. since the ideal can thus sometimes get embodied.”[20]
[20] Souvenirs de ma Jeunesse, 1897, p. 122.
In Senancour’s novel of Obermann a similar transient lifting of the veil is recorded. In Paris streets, on a March day, he comes across a flower in bloom, a jonquil:
“It was the strongest expression of desire: it was the first perfume of the year. I felt all the happiness destined for man. This unutterable harmony of souls, the phantom of the ideal world, arose in me complete. I never felt anything so great or so instantaneous. I know not what shape, what analogy, what secret of relation it was that made me see in this flower a limitless beauty…. I shall never inclose in a conception this power, this immensity that nothing will express; this form that nothing will contain; this ideal of a better world which one feels, but which, it seems, nature has not made actual.”[21]
[21] Op. cit., Letter XXX.
We heard in previous lectures of the vivified face of the world as it may appear to converts after their awakening.[22] As a rule, religious persons generally assume that whatever natural facts connect themselves in any way with their destiny are significant of the divine purposes with them. Through prayer the purpose, often far from obvious, comes home to them, and if it be “trial,” strength to endure the trial is given. Thus at all stages of the prayerful life we find the persuasion that in the process of communion energy from on high flows in to meet demand, and becomes operative within the phenomenal world. So long as this operativeness is admitted to be real, it makes no essential difference whether its immediate effects be subjective or objective. The fundamental religious point is that in prayer, spiritual energy, which otherwise would slumber, does become active, and spiritual work of some kind is effected really.