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To the woman the man says, “You are my wife. Here is your America, within these walls, here is your work, your duty.” True, in nine hundred and ninety-nine cases out of every thousand, but men and women are not made in moulds, and the world’s work is various. Sometimes to her sorrow, a woman’s work lies beyond the home. The duty of Mary was not to Joseph.

The hero in the popular novel is the young man who says, “I love you better than my soul.” Our favourite heroine in fiction is the woman who cries to her lover, “I would go down into Hell to be with you.” There are men and women who cannot answer thus–the men who dream dreams, the women who see visions–impracticable people from the Bayswater point of view. But Bayswater would not be the abode of peace it is had it not been for such.

Have we not placed sexual love on a pedestal higher than it deserves? It is a noble passion, but it is not the noblest. There is a wider love by the side of which it is but as the lamp illumining the cottage, to the moonlight bathing the hills and valleys. There were two women once. This is a play I saw acted in the daylight. They had been friends from girlhood, till there came between them the usual trouble–a man. A weak, pretty creature not worth a thought from either of them; but women love the unworthy; there would be no over-population problem did they not; and this poor specimen, ill-luck had ordained they should contend for.

Their rivalry brought out all that was worst in both of them. It is a mistake to suppose love only elevates; it can debase. It was a mean struggle for what to an onlooker must have appeared a remarkably unsatisfying prize. The loser might well have left the conqueror to her poor triumph, even granting it had been gained unfairly. But the old, ugly, primeval passions had been stirred in these women, and the wedding-bells closed only the first act.

The second is not difficult to guess. It would have ended in the Divorce Court had not the deserted wife felt that a finer revenge would be secured to her by silence.

In the third, after an interval of only eighteen months, the man died–the first piece of good fortune that seems to have occurred to him personally throughout the play. His position must have been an exceedingly anxious one from the beginning. Notwithstanding his flabbiness, one cannot but regard him with a certain amount of pity–not unmixed with amusement. Most of life’s dramas can be viewed as either farce or tragedy according to the whim of the spectator. The actors invariably play them as tragedy; but then that is the essence of good farce acting.

Thus was secured the triumph of legal virtue and the punishment of irregularity, and the play might be dismissed as uninterestingly orthodox were it not for the fourth act, showing how the wronged wife came to the woman she had once wronged to ask and grant forgiveness. Strangely as it may sound, they found their love for one another unchanged. They had been long parted: it was sweet to hold each other’s hands again. Two lonely women, they agreed to live together. Those who knew them well in this later time say that their life was very beautiful, filled with graciousness and nobility.

I do not say that such a story could ever be common, but it is more probable than the world might credit. Sometimes the man is better without the woman, the woman without the man.