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PAGE 7

On The Knowledge Of Character
by [?]

Say, I had lay’d a body in the sun!
Well! in a month there swarm forth from the corse
A thousand, nay, ten thousand sentient beings
In place of that one man. Say I had kill’d him!
Yet who shall tell me, that each one and all
Of these ten thousand lives Is not as happy
As that one life, which being push’d aside,
Made room for these unnumber’d.–Act ii. Sc. 2.

I am not sure, indeed, that I have not got this whole train of speculation from him; but I should not think the worse of it on that account. That gentleman, I recollect, once asked me whether I thought that the different members of a family really liked one another so well, or had so much attachment, as was generally supposed; and I said that I conceived the regard they had towards each other was expressed by the word interest rather than by any other, which he said was the true answer. I do not know that I could mend it now. Natural affection is not pleasure in one another’s company, nor admiration of one another’s qualities; but it is an intimate and deep knowledge of the things that affect those to whom we are bound by the nearest ties, with pleasure or pain; it is an anxious, uneasy fellow-feeling with them, a jealous watchfulness over their good name, a tender and unconquerable yearning for their good. The love, in short, we bear them is the nearest to that we bear ourselves. Home, according to the old saying, is home, be it never so homely. We love ourselves, not according to our deserts, but our cravings after good: so we love our immediate relations in the next degree (if not, even sometimes a higher one), because we know best what they have suffered and what sits nearest to their hearts. We are implicated, in fact, in their welfare by habit and sympathy, as we are in our own.

If our devotion to our own interests is much the same as to theirs, we are ignorant of our own characters for the same reason. We are parties too much concerned to return a fair verdict, and are too much in the secret of our own motives or situation not to be able to give a favourable turn to our actions. We exercise a liberal criticism upon ourselves, and put off the final decision to a late day. The field is large and open. Hamlet exclaims, with a noble magnanimity, ‘ I count myself indifferent honest, and yet I could accuse me of such things!’ If you could prove to a man that he is a knave, it would not make much difference in his opinion, his self-love is stronger than his love of virtue. Hypocrisy is generally used as a mask to deceive the world, not to impose on ourselves: for once detect the delinquent in his knavery, and he laughs in your face or glories in his iniquity. This at least happens except where there is a contradiction in the character, and our vices are involuntary and at variance with our convictions. One great difficulty is to distinguish ostensible motives, or such as we acknowledge to ourselves, from tacit or secret springs of action. A man changes his opinion readily, he thinks it candour: it is levity of mind. For the most part, we are stunned and stupid in judging of ourselves. We are callous by custom to our defects or excellences, unless where vanity steps in to exaggerate or extenuate them. I cannot conceive how it is that people are in love with their own persons, or astonished at their own performances, which are but a nine days’ wonder to every one else. In general it may be laid down that we are liable to this twofold mistake in judging of our own talents: we, in the first place, nurse the rickety bantling, we think much of that which has cost us much pains and labour, and comes against the grain; and we also set little store by what we do with most ease to ourselves, and therefore best. The works of the greatest genius are produced almost unconsciously, with an ignorance on the part of the persons themselves that they have done anything extraordinary. Nature has done it for them. How little Shakespear seems to have thought of himself or of his fame! Yet, if ‘to know another well were to know one’s self,’ he must have been acquainted with his own pretensions and character, ‘who knew all qualities with a learned spirit.’ His eye seems never to have been bent upon himself, but outwards upon nature. A man who thinks highly of himself may almost set it down that it is without reason. Milton, notwithstanding, appears to have had a high opinion of himself, and to have made it good. He was conscious of his powers, and great by design. Perhaps his tenaciousness, on the score of his own merit, might arise from an early habit of polemical writing, in which his pretensions were continually called to the bar of prejudice and party-spirit, and he had to plead not guilty to the indictment. Some men have died unconscious of immortality, as others have almost exhausted the sense of it in their lifetimes. Correggio might be mentioned as an instance of the one, Voltaire of the other.

There is nothing that helps a man in his conduct through life more than a knowledge of his own characteristic weaknesses (which, guarded against, become his strength), as there is nothing that tends more to the success of a man’s talents than his knowing the limits of his faculties, which are thus concentrated on some practicable object. One man can do but one thing. Universal pretensions end in nothing. Or, as Butler has it, too much wit requires

As much again to govern it.

There are those who have gone, for want of this self-knowledge, strangely out of their way, and others who have never found it. We find many who succeed in certain departments, and are yet melancholy and dissatisfied, because they failed in the one to which they first devoted themselves, like discarded lovers who pine after their scornful mistress. I will conclude with observing that authors in general overrate the extent and value of posthumous fame: for what (as it has been asked) is the amount even of Shakespear’s fame? That in that very country which boasts his genius and his birth, perhaps, scarce one person in ten has ever heard of his name or read a syllable of his writings!

NOTES

[1] ‘It is not a year or two shows us a man.’–AEmilia, in Othello.

[2] The bones of the murdered man were dug up in an old hermitage. On this, as one instance of the acuteness which he displayed all through the occasion, Aram remarks, ‘Where would you expect to find the bones of a man sooner than in a hermit’s cell, except you were to look for them in a cemetery?’–See Newgate Calendar for the year 1758 or 1759.