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PAGE 2

On Some Of The Old Actors (London Magazine, Feb., 1822)
by [?]

The misery of them that are born great!
They are forced to woo, because none dare woo them.

To be sure the lady was not very tenderly handled for it by her brothers in the sequel, but their vengeance appears to have been whetted rather by her presumption in re-marrying at all, (when they had meditated the keeping of her fortune in their family) than by her choice of an inferior, of Antonio’s noble merits especially, for her husband; and, besides, Olivia’s brother was just dead. Malvolio was a man of reading, and possibly reflected upon these lines, or something like them in his own country poetry–

–Ceremony has made many fools.
It is as easy way unto a duchess
As to a hatted dame, if her love answer:
But that by timorous honours, pale respects,
Idle degrees of fear, men make their ways
Hard of themselves.

“‘Tis but fortune, all is fortune. Maria once told me, she did affect me; and I have heard herself come thus near, that, should she fancy, it should be one of my complexion.” If here was no encouragement, the devil is in it. I wish we could get at the private history of all this. Between the Countess herself, serious or dissembling–for one hardly knows how to apprehend this fantastical great lady–and the practices of that delicious little piece of mischief, Maria–

The lime twigs laid
By Machiavel the waiting maid–

the man might well be rapt into a fool’s paradise.

Bensley threw over the part an air of Spanish loftiness. He looked, spake, and moved like an old Castilian. He was starch, spruce, opinionated, but his superstructure of pride seemed bottomed upon a sense of worth. There was something in it beyond the coxcomb. It was big and swelling, but you could not be sure that it was hollow. You might wish to see it taken down, but you felt that it was upon an elevation. He was magnificent from the outset; but when the decent sobrieties of the character began to give way, and the poison of self-love in his conceit of the Countess’s affection gradually to work, you would have thought that the hero of La Mancha in person stood before you. How he went smiling to himself! with what ineffable carelessness would he twirl his gold chain! what a dream it was! you were infected with the illusion, and did not wish that it should be removed! you had no room for laughter! if an unseasonable reflection of morality obtruded itself, it was a deep sense of the pitiable infirmity of man’s nature, that can lay him open to such frenzies–but in truth you rather admired than pitied the lunacy while it lasted–you felt that an hour of such mistake was worth an age with the eyes open. Who would not wish to live but for a day in the conceit of such a lady’s love as Olivia? Why, the Duke would have given his principality but for a quarter of a minute, sleeping or waking, to have been so deluded. The man seemed to tread upon air, to taste manna, to walk with his head in the clouds, to mate Hyperion. O! shake not the castles of his pride–endure yet for a season, bright moments of confidence–“stand still ye watches of the element,” that Malvolio may be still in fancy fair Olivia’s lord–but fate and retribution say no–I hear the mischievous titter of Maria–the witty taunts of Sir Toby–the still more insupportable triumph of the foolish knight–the counterfeit Sir Topas is unmasked–and “thus the whirligig of time,” as the true clown hath it, “brings in his revenges.” I confess that I never saw the catastrophe of this character while Bensley played it without a kind of tragic interest. There was good foolery too. Few now remember Dodd. What an Aguecheek the stage lost in him! Lovegrove, who came nearest to the old actors, revived the character some few seasons ago, and made it sufficiently grotesque; but Dodd was it, as it came out of nature’s hands. It might be said to remain in puris naturalibus. In expressing slowness of apprehension this actor surpassed all others. You could see the first dawn of an idea stealing slowly over his countenance, climbing up by little and little, with a painful process, till it cleared up at last to the fulness of a twilight conception–its highest meridian. He seemed to keep back his intellect, as some have had the power to retard their pulsation. The balloon takes less time in filling, than it took to cover the expansion of his broad moony face over all its quarters with expression. A glimmer of understanding would appear in a corner of his eye, and for lack of fuel go out again. A part of his forehead would catch a little intelligence, and be a long time in communicating it to the remainder.