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On Simple And Sentimental Poetry
by
But the perfection of these objects is not a merit that belongs to them, because it is not the effect of their free choice. Accordingly they procure quite a peculiar pleasure for us, by being our models without having anything humiliating for us. It is like a constant manifestation of the divinity surrounding us, which refreshes without dazzling us. The very feature that constitutes their character is precisely what is lacking in ours to make it complete; and what distinguishes us from them is precisely what they lack to be divine. We are free and they are necessary; we change and they remain identical. Now it is only when these two conditions are united, when the will submits freely to the laws of necessity, and when, in the midst of all the changes of which the imagination is susceptible, reason maintains its rule–it is only then that the divine or the ideal is manifested. Thus we perceive eternally in them that which we have not, but which we are continually forced to strive after; that which we can never reach, but which we can hope to approach by continual progress. And we perceive in ourselves an advantage which they lack, but in which some of them–the beings deprived of reason–cannot absolutely share, and in which the others, such as children, can only one day have a share by following our way. Accordingly, they procure us the most delicious feeling of our human nature, as an idea, though in relation to each determinate state of our nature they cannot fail to humble us.
As this interest in nature is based on an idea, it can only manifest itself in a soul capable of ideas, that is, in a moral soul. For the immense majority it is nothing more than pure affectation; and this taste of sentimentality so widely diffused in our day, manifesting itself, especially since the appearance of certain books, by sentimental excursions and journeys, by sentimental gardens, and other fancies akin to these–this taste by no means proves that true refinement of sense has become general. Nevertheless, it is certain that nature will always produce something of this impression, even on the most insensible hearts, because all that is required for this is the moral disposition or aptitude, which is common to all men. For all men, however contrary their acts may be to simplicity and to the truth of nature, are brought back to it in their ideas. This sensibility in connection with nature is specially and most strongly manifested, in the greater part of persons, in connection with those sorts of objects which are closely related to us, and which, causing us to look closer into ourselves, show us more clearly what in us departs from nature; for example, in connection with children, or with nations in a state of infancy. It is an error to suppose that it is only the idea of their weakness that, in certain moments, makes us dwell with our eyes on children with so much emotion. This may be true with those who, in the presence of a feeble being, are used to feel nothing but their own superiority. But the feeling of which I speak is only experienced in a very peculiar moral disposition, nor must it be confounded with the feeling awakened in us by the joyous activity of children. The feeling of which I speak is calculated rather to humble than to flatter our self-love; and if it gives us the idea of some advantage, this advantage is at all events not on our side.
We are moved in the presence of childhood, but it is not because from the height of our strength and of our perfection we drop a look of pity on it; it is, on the contrary, because from the depths of our impotence, of which the feeling is inseparable from that of the real and determinate state to which we have arrived, we raise our eyes to the child’s determinableness and pure innocence. The feeling we then experience is too evidently mingled with sadness for us to mistake its source. In the child, all is disposition and destination; in us, all is in the state of a completed, finished thing, and the completion always remains infinitely below the destination. It follows that the child is to us like the representation of the ideal; not, indeed, of the ideal as we have realized it, but such as our destination admitted; and, consequently, it is not at all the idea of its indigence, of its hinderances, that makes us experience emotion in the child’s presence; it is, on the contrary, the idea of its pure and free force, of the integrity, the infinity of its being. This is the reason why, in the sight of every moral and sensible man, the child will always be a sacred thing; I mean an object which, by the grandeur of an idea, reduces to nothingness all grandeur realized by experience; an object which, in spite of all it may lose in the judgment of the understanding, regains largely the advantage before the judgment of reason.