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Si Pergarna dextra
Defendi possent, etiam hac defensa fuissent.

It is the mist and obscurity through which we view objects that makes us fancy they might have been or might still be otherwise, The precise knowledge of antecedents and consequents makes men practical as well as philosophical Necessarians.–It is the want of this knowledge which is the principle and soul of gambling, and of all games of chance or partial skill. The supposition is, that the issue is uncertain, and that there is no positive means of ascertaining it. It is dependent on the turn of a die, on the tossing up of a halfpenny: to be fair it must be a lottery; there is no knowing but by the event; and it is this which keeps the interest alive, and works up the passion little short of madness. There is all the agitation of suspense, all the alternation of hope and fear, of good and bad success, all the eagerness of desire, without the possibility of reducing this to calculation, that is, of subjecting the increased action of the will to a known rule, or restraining the excesses of passion within the bounds of reason. We see no cause beforehand why the run of the cards should not be in our favour: we will hear of none afterwards why it should not have been so. As in the absence of all data to judge by, we wantonly fill up the blank with the most extravagant expectations, so, when all is over, we obstinately recur to the chance we had previously. There is nothing to tame us down to the event, nothing to reconcile us to our hard luck, for so we think it. We see no reason why we failed (and there was none, any more than why we should succeed)–we think that, reason apart, our will is the next best thing; we still try to have it our own way, and fret, torment, and harrow ourselves up with vain imaginations to effect impossibilities.[2] We play the game over again: we wonder how it was possible for us to fail. We turn our brain with straining at contradictions, and striving to make things what they are not, or, in other words, to subject the course of nature to our fastastical wishes. ‘If it had been so–if we had done such and such a thing’–we try it in a thousand different ways, and are just as far off the mark as ever. We appealed to chance in the first instance, and yet, when it has decided against us, we will not give in, and sit down contented with our loss, but refuse to submit to anything but reason, which has nothing to do with the matter. In drawing two straws, for example, to see which is the longest, there was no apparent necessity we should fix upon the wrong one, it was so easy to have fixed upon the other, nay, at one time we were going to do it–if we had,–the mind thus runs back to what was so possible and feasible at one time, while the thing was pending, and would fain give a bias to causes so slender and insignificant, as the skittle-player bends his body to give a bias to the bowl he has already delivered from his hand, not considering that what is once determined, be the causes ever so trivial or evanescent, is in the individual instance unalterable. Indeed, to be a great philosopher, in the practical and most important sense of the term, little more seems necessary than to be convinced of the truth of the maxim which the wise man repeated to the daughter of King Cophetua, That if a thing is, it is, and there is an end of it!

We often make life unhappy in wishing things to have turned out otherwise than they did, merely because that is possible to the imagination, which is impossible in fact. I remember, when Lamb’s farce was damned (for damned it was, that’s certain), I used to dream every night for a month after (and then I vowed I would plague myself no more about it) that it was revived at one of the minor or provincial theatres with great success, that such and such retrenchments and alterations had been made in it, and that it was thought it might do at the other House. I had heard indeed (this was told in confidence to Lamb) that Gentleman Lewis was present on the night of its performance, and said that if he had had it he would have made it, by a few judicious curtailments, ‘the most popular little thing that had been brought out for some time.’ How often did I conjure up in recollection the full diapason of applause at the end of the Prologue, and hear my ingenious friend in the first row of the pit roar with laughter at his own wit! Then I dwelt with forced complacency on some part in which it had been doing well: then we would consider (in concert) whether the long tedious opera of the Travellers, which preceded it, had not tired people beforehand, so that they had not spirits left for the quaint and sparkling ‘wit skirmishes’ of the dialogue; and we all agreed it might have gone down after a tragedy, except Lamb himself, who swore he had no hopes of it from the beginning, and that he knew the name of the hero when it came to be discovered could not be got over. Mr. H—-, thou wert damned! Bright shone the morning on the play-bills that announced thy appearance, and the streets were filled with the buzz of persons asking one another if they would go to see Mr. H—-, and answering that they would certainly; but before night the gaiety, not of the author, but of his friends and the town. was eclipsed, for thou were damned! Hadst thou been anonymous thou haply mightst have lived. But thou didst come to an untimely end for thy tricks, and for want of a better name to pass them off!