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If he has the consciousness of his spiritual person, of his pure autonomy, man rejects all that is sensuous, and it is only when thus isolated from matter that he feels to the full his moral liberty. But for that, as his sensuous nature opposes an obstinate and vigorous resistance to him, he must, on his side, exercise upon it a notable pressure and a strong effort, without which he could neither put aside the appetites nor reduce to silence the energetic voice of instinct. A mind of this quality makes the physical nature which depends on him feel that it has a master in him, whether it fulfils the orders of the will or endeavors to anticipate them. Under its stern discipline sensuousness appears then repressed, and interior resistance will betray itself exteriorly by the constraint. This moral state cannot, then, be favorable to beauty, because nature cannot produce the beautiful but as far as it is free, and consequently that which betrays to us the struggles of moral liberty against matter cannot either be grace.

If, on the contrary, subdued by its wants, man allows himself to be governed without reserve by the instinct of nature, it is his interior autonomy that vanishes, and with it all trace of this autonomy is exteriorly effaced. The animal nature is alone visible upon his visage; the eye is watery and languishing, the mouth rapaciously open, the voice trembling and muffled, the breathing short and rapid, the limbs trembling with nervous agitation: the whole body by its languor betrays its moral degradation. Moral force has renounced all resistance, and physical nature, with such a man, is placed in full liberty. But precisely this complete abandonment of moral independence, which occurs ordinarily at the moment of sensuous desire, and more still at the moment of enjoyment, sets suddenly brute matter at liberty which until then had been kept in equilibrium by the active and passive forces. The inert forces of nature commence from thence to gain the upper hand over the living forces of the organism; the form is oppressed by matter, humanity by common nature. The eye, in which the soul shone forth, becomes dull, or it protrudes from its socket with I know not what glassy haggardness; the delicate pink of the cheeks thickens, and spreads as a coarse pigment in uniform layers. The mouth is no longer anything but a simple opening, because its form no longer depends upon the action of forces, but on their non-resistance; the gasping voice and breathing are no more than an effort to ease the laborious and oppressed lungs, and which show a simple mechanical want, with nothing that reveals a soul. In a word, in that state of liberty which physical nature arrogates to itself from its chief, we must not think of beauty. Under the empire of the moral agent, the liberty of form was only restrained, here it is crushed by brutal matter, which gains as much ground as is abstracted from the will. Man in this state not only revolts the moral sense, which incessantly claims of the face an expression of human dignity, but the aesthetic sense, which is not content with simple matter, and which finds in the form an unfettered pleasure–the aesthetic sense will turn away with disgust from such a spectacle, where concupiscence could alone find its gratification.

Of these two relations between the moral nature of man and his physical nature, the first makes us think of a monarchy, where strict surveillance of the prince holds in hand all free movement; the second is an ochlocracy, where the citizen, in refusing to obey his legitimate sovereign, finds he has liberty quite as little as the human face has beauty when the moral autonomy is oppressed; nay, on the contrary, just as the citizens are given over to the brutal despotism of the lowest classes, so the form is given over here to the despotism of matter. Just as liberty finds itself between the two extremes of legal oppression and anarchy, so also we shall find the beautiful between two extremes, between the expression of dignity which bears witness to the domination exercised by the mind, and the voluptuous expression which reveals the domination exercised by instinct.