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The furniture has been removed from all the rooms in order that more persons may be more uncomfortable. Or perhaps the chairs and tables, like rats in a leaky ship, have scuttled off, as it were, now that fashion has wrecked the home. A friend of mine, J—-, resents these entertainments. No sooner, recently, did he come into such a bare apartment where, in happier days his favorite chair had stood, than he hinted to the guests that the furniture had been sold to meet the expenses of the day. This sorry jest lasted him until, on whispering to a servant, he learned that the chairs had been stored in an upper hall. At this he proposed that the party reassemble above, where at least they might sit down and be comfortable. When I last saw J—- that evening he was sitting at the turn of the stairs behind an exotic shrubbery, where he had found a vagrant chair that had straggled behind the upper emigration.

The very envelope that contains a formal invitation bears a forbidding look. It is massive and costly to the eye. It is much larger than a letter, unless, perhaps, one carries on a correspondence with a giant from Brobdingnag. You turn it round and round with sad premonition. The very writing is coldly impersonal without the pinch of a more human hand. It practices a chill anonymity as if it contains a warrant for a hanging. At first you hope it may be merely an announcement from your tailor, inasmuch as commerce patterns its advertisements on these social forms. I am told that there was once a famous man–a distinguished novelist–who so disliked formal parties but was so timid at their rejection that he took refuge in the cellar whenever one of these forbidding documents arrived, until he could forge a plausible excuse; for he believed that these colder and more barren rooms quickened his invention. The story goes that once when he was in an unusually timid state he lacked the courage to break the seal and so spent an uneasy morning upon the tubs, to the inconvenience of the laundress who thought that he fretted upon the plot. At last, on tearing off the envelope, he found to his relief that it was only a notice for a display of haberdashery at a fashionable shop. In his gratitude at his escape he at once sought his desk and conferred a blushing heiress on his hero.

But perhaps there are persons of an opposite mind who welcome an invitation. Even the preliminary rummage delights them when their clothes are sent for pressing and their choice wavers among their plumage. For such persons the superscription on the envelope now seems written in the spacious hand of hospitality.

But of informal dinners and the meeting of friends we can all approve without reserve. I recall, once upon a time, four old gentlemen who met every week for whist. Three of them were of marked eccentricity. One of them, when the game was at its pitch, reached down to the rungs of his chair and hitched it first to one side and then to the other, mussing up the rugs. The second had the infirmity of nodding his head continuously. Even if he played a trivial three spot, he sat on the decision and wagged his beard up and down like a judge. The third sucked his teeth and thereby made hissing noises. Later in the evening there would be served buttermilk or cider, and the sober party would adjourn at the gate. But there were two young rascals who practiced these eccentricities and after they had gone to bed, for the exquisite humor of it, they nodded their heads, too, and sucked their teeth with loud hissing noises.

No one entertains more pleasantly than the S—- family and no one is more informal. If you come on the minute for your dinner, it is likely that none of the family is about. After a search J—- is found in a flannel shirt in his garden with a watering-can. “Hello!” he says in surprise. “What time is it? Have you come already for dinner?”