PAGE 2
No. 358 [from The Spectator]
by
The Writers of Plays have what they call Unity of Time and Place to give a Justness to their Representation; and it would not be amiss if all who pretend to be Companions, would confine their Action to the Place of Meeting: For a Frolick carried farther may be better performed by other Animals than Men. It is not to rid much Ground, or do much Mischief, that should denominate a pleasant Fellow; but that is truly Frolick which is the Play of the Mind, and consists of various and unforced Sallies of Imagination. Festivity of Spirit is a very uncommon Talent, and must proceed from an Assemblage of agreeable Qualities in the same Person: There are some few whom I think peculiarly happy in it; but it is a Talent one cannot name in a Man, especially when one considers that it is never very graceful but where it is regarded by him who possesses it in the second Place. The best Man that I know of for heightening the Revel-Gayety of a Company, is Estcourt, [3]–whose Jovial Humour diffuses itself from the highest Person at an Entertainment to the meanest Waiter. Merry Tales, accompanied with apt Gestures and lively Representations of Circumstances and Persons, beguile the gravest Mind into a Consent to be as humourous as himself. Add to this, that when a Man is in his good Grace, he has a Mimickry that does not debase the Person he represents; but which, taking from the Gravity of the Character, adds to the Agreeableness of it. This pleasant Fellow gives one some Idea of the ancient Pantomime, who is said to have given the Audience, in Dumb-show, an exact Idea of any Character or Passion, or an intelligible Relation of any publick Occurrence, with no other Expression than that of his Looks and Gestures. If all who have been obliged to these Talents in Estcourt, will be at Love for Love to-morrow Night, they will but pay him what they owe him, at so easy a Rate as being present at a Play which no body would omit seeing, that had, or had not ever seen it before.
[Footnote 1: In No. 353 and some following numbers of the Spectator appeared an advertisement of this plate, which was engraved by Vertue.
Whereas about nine weeks since there was accidentally discovered by an Husbandman, at Stunsfield, near Woodstock, in Oxfordshire, (a large Pavement of rich Mosaick Work of the Ancient Romans, which is adornd with several Figures alluding to Mirth and Concord, in particular that of Bacchus seated on a Panther.) This is to give Notice the Exact Delineation of the same is Engraven and Imprinted on a large Elephant sheet of Paper, which are to be sold at Mr. Charles Lillies, Perfumer, at the corner of Beauford Buildings, in the Strand, at 1s. N.B. There are to be had, at the same Place, at one Guinea each, on superfine Atlas Paper, some painted with the same variety of Colours that the said Pavement is beautified with; this piece of Antiquity is esteemed by the Learned to be the most considerable ever found in Britain.
The fine pavement discovered at Stonesfield in 1711 measures 35 feet by 60, and although by this time groundworks of more than a hundred Roman villas have been laid open in this country, the Stonesfield mosaic is still one of the most considerable of its kind.]
[Footnote 2: Said to have been one of the frolics of Sir Charles Sedley.]
[Footnote 3: See note on p. 204, ante [Footnote 1 of No. 264]. Congreves Love for Love was to be acted at Drury Lane on Tuesday night At the desire of several Ladies of Quality. For the Benefit of Mr. Estcourt.]