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The Impression which the Interdiction of the Tree of Life left in the Mind of our first Parent, is describ’d with great Strength and Judgment; as the Image of the several Beasts and Birds passing in review before him is very beautiful and lively.

–Each Bird and Beast behold
Approaching two and two, these cowring low
With Blandishment; each Bird stoop’d on his Wing:
I nam’d them as they pass’d–

Adam, in the next place, describes a Conference which he held with his Maker upon the Subject of Solitude. The Poet here represents the supreme Being, as making an Essay of his own Work, and putting to the tryal that reasoning Faculty, with which he had endued his Creature. Adam urges, in this Divine Colloquy, the Impossibility of his being happy, tho he was the Inhabitant of Paradise, and Lord of the whole Creation, without the Conversation and Society of some rational Creature, who should partake those Blessings with him. This Dialogue, which is supported chiefly by the Beauty of the Thoughts, without other poetical Ornaments, is as fine a Part as any in the whole Poem: The more the Reader examines the Justness and Delicacy of its Sentiments, the more he will find himself pleased with it. The Poet has wonderfully preserved the Character of Majesty and Condescension in the Creator, and at the same time that of Humility and Adoration in the Creature, as particularly in the following Lines:

Thus I presumptuous; and the Vision bright,
As with a Smile more bright-tied, thus reply’d, etc.

–I, with leave of Speech implor’d
And humble Deprecation, thus reply d:
Let not my Words offend thee, Heavnly Power,
My Maker, be propitious while I speak, etc.

Adam then proceeds to give an account of his second Sleep, and of the Dream in which he beheld the Formation of Eve. The new Passion that was awaken’d in him at the sight of her, is touch’d very finely.

Under his forming Hands a Creature grew,
Manlike, but different Sex: so lovely fair,
That what seem’d fair in all the World, seemed now
Mean, or in her summ’d up, in her contained,
And in her Looks; which from that time infused
Sweetness info my Heart, unfelt before:
And into all things from her Air inspired
The Spirit of Love and amorous Delight.

Adams Distress upon losing sight of this beautiful Phantom, with his Exclamations of Joy and Gratitude at the discovery of a real Creature, who resembled the Apparition which had been presented to him in his Dream; the Approaches he makes to her, and his Manner of Courtship; are all laid together in a most exquisite Propriety of Sentiments.

Tho this Part of the Poem is work’d up with great Warmth and Spirit, the Love which is described in it is every way suitable to a State of Innocence. If the Reader compares the Description which Adam here gives of his leading Eve to the Nuptial Bower, with that which Mr. Dryden has made on the same occasion in a Scene of his Fall of Man, he will be sensible of the great care which Milton took to avoid all Thoughts on so delicate a Subject, that might be offensive to Religion or Good-Manners. The Sentiments are chaste, but not cold; and convey to the Mind Ideas of the most transporting Passion, and of the greatest Purity. What a noble Mixture of Rapture and Innocence has the Author join’d together, in the Reflection which Adam makes on the Pleasures of Love, compared to those of Sense.

Thus have I told thee all my State, and brought
My Story to the sum of earthly Bliss,
Which I enjoy; and must confess to find
In all things else Delight indeed, but such
As us’d or not, works in the Mind no Change
Nor vehement Desire; these Delicacies
I mean of Taste, Sight, Smell, Herbs, Fruits, and Flowers,
Walks, and the Melody of Birds: but here
Far otherwise, transported I behold,
Transported touch; here Passion first I felt,
Commotion strange! in all Enjoyments else
Superiour and unmov’d, here only weak
Against the Charms of Beauty’s powerful Glance.
Or Nature fail’d in me, and left some Part
Not Proof enough such Object to sustain;
Or from my Side subducting, took perhaps
More than enough; at least on her bestowed
Too much of Ornament in outward shew
Elaborate, of inward less exact.