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Tragi-Comedy, indeed, you have your self in a former Speculation found fault with very justly, because it breaks the Tide of the Passions while they are yet flowing; but this is nothing at all to the present Case, where they have already had their full Course.

As the new Epilogue is written conformable to the Practice of our best Poets, so it is not such an one which, as the Duke of Buckingham says in his Rehearsal, might serve for any other Play; but wholly rises out of the Occurrences of the Piece it was composed for.

The only Reason your mournful Correspondent gives against this Facetious Epilogue, as he calls it, is, that he has mind to go home melancholy. I wish the Gentleman may not be more Grave than Wise. For my own part, I must confess I think it very sufficient to have the Anguish of a fictitious Piece remain upon me while it is representing, but I love to be sent home to bed in a good humour. If Physibulus is however resolv’d to be inconsolable, and not to have his Tears dried up, he need only continue his old Custom, and when he has had his half Crowns worth of Sorrow, slink out before the Epilogue begins.

It is pleasant enough to hear this Tragical Genius complaining of the great Mischief Andromache had done him: What was that? Why, she made him laugh. The poor Gentleman’s Sufferings put me in mind of Harlequins Case, who was tickled to Death. He tells us soon after, thro a small Mistake of Sorrow for Rage, that during the whole Action he was so very sorry, that he thinks he could have attack’d half a score of the fiercest Mohocks in the Excess of his Grief. I cannot but look upon it as an happy Accident, that a Man who is so bloody-minded in his Affliction, was diverted from this Fit of outragious Melancholy. The Valour of this Gentleman in his Distress, brings to ones memory the Knight of the sorrowful Countenance, who lays about him at such an unmerciful rate in an old Romance. I shall readily grant him that his Soul, as he himself says, would have made a very ridiculous Figure, had it quitted the Body, and descended to the Poetical Shades, in such an Encounter.

As to his Conceit of tacking a Tragic Head with a Comic Tail, in order to refresh the Audience, it is such a piece of Jargon, that I don’t know what to make of it.

The elegant Writer makes a very sudden Transition from the Play-house to the Church, and from thence, to the Gallows.

As for what relates to the Church, he is of Opinion, that these Epilogues have given occasion to those merry Jiggs from the Organ-Loft which have dissipated those good Thoughts, and Dispositions he has found in himself, and the rest of the Pew, upon the singing of two Staves cull’d out by the judicious and diligent Clark.

He fetches his next Thought from Tyburn; and seems very apprehensive lest there should happen any Innovations in the Tragedies of his Friend Paul Lorrain.

In the mean time, Sir, this gloomy Writer, who is so mightily scandaliz’d at a gay Epilogue after a serious Play, speaking of the Fate of those unhappy Wretches who are condemned to suffer an ignominious Death by the Justice of our Laws, endeavours to make the Reader merry on so improper an occasion, by those poor Burlesque Expressions of Tragical Dramas, and Monthly Performances.

I am, Sir, with great Respect,
Your most obedient, most humble Servant,

Philomeides.

X.

[Footnote 1: Budgell here defends with bad temper the Epilogue which Addison ascribed to him. Probably it was of his writing, but transformed by Addison’s corrections.]

[Footnote 2: Dryden’s Maximin.]