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There is no question but Milton had this Circumstance in his Thoughts, because in the following Book he describes the Chariot of the Messiah with living Wheels, according to the Plan in Ezekiel’s Vision.

–Forth rush’d with Whirlwind sound
The Chariot of paternal Deity
Flashing thick flames?, Wheel within Wheel undrawn,
Itself instinct with Spirit–

I question not but Bossu, and the two Daciers, who are for vindicating every thing that is censured in Homer, by something parallel in Holy Writ, would have been very well pleased had they thought of confronting Vulcan’s Tripodes with Ezekiel’s Wheels.

Raphael’s Descent to the Earth, with the Figure of his Person, is represented in very lively Colours. Several of the French, Italian and English Poets have given a Loose to their Imaginations in the Description of Angels: But I do not remember to have met with any so finely drawn, and so conformable to the Notions which are given of them in Scripture, as this in Milton. After having set him forth in all his Heavenly Plumage, and represented him as alighting upon the Earth, the Poet concludes his Description with a Circumstance, which is altogether new, and imagined with the greatest Strength of Fancy.

–Like Maia’s Son he stood,
And shook his Plumes, that Heavnly Fragrance fill’d
The Circuit wide.–

Raphael’s Reception by the Guardian Angels; his passing through the Wilderness of Sweets; his distant Appearance to Adam, have all the Graces that Poetry is capable of bestowing. The Author afterwards gives us a particular Description of Eve in her Domestick Employments

So saying, with dispatchful Looks in haste
She turns, on hospitable Thoughts intent,
What Choice to chuse for Delicacy best,
What order, so contrived, as not to mix
Tastes, not well join’d, inelegant, but bring
Taste after Taste; upheld with kindliest Change;
Bestirs her then, &c.–;

Though in this, and other Parts of the same Book, the Subject is only the Housewifry of our first Parent, it is set off with so many pleasing Images and strong Expressions, as make it none of the least agreeable Parts in this Divine Work.

The natural Majesty of Adam, and at the same time his submissive Behaviour to the Superior Being, who had vouchsafed to be his Guest; the solemn Hail which the Angel bestows upon the Mother of Mankind, with the Figure of Eve ministring at the Table, are Circumstances which deserve to be admired.

Raphael’s Behaviour is every way suitable to the Dignity of his Nature, and to that Character of a sociable Spirit, with which the Author has so judiciously introduced him. He had received Instructions to converse with Adam, as one Friend converses with another, and to warn him of the Enemy, who was contriving his Destruction: Accordingly he is represented as sitting down at Table with Adam, and eating of the Fruits of Paradise. The Occasion naturally leads him to his Discourse on the Food of Angels. After having thus entered into Conversation with Man upon more indifferent Subjects, he warns him of his Obedience, and makes natural Transition to the History of that fallen Angel, who was employ’d in the Circumvention of our first Parents.

Had I followed Monsieur Bossu’s Method in my first Paper of Milton, I should have dated the Action of Paradise Lost from the Beginning of Raphael’s Speech in this Book, as he supposes the Action of the AEneid to begin in the second Book of that Poem. I could allege many Reasons for my drawing the Action of the AEneid rather from its immediate Beginning in the first Book, than from its remote Beginning in the second; and shew why I have considered the sacking of Troy as an Episode, according to the common Acceptation of that Word. But as this would be a dry unentertaining Piece of Criticism, and perhaps unnecessary to those who have read my first Paper, I shall not enlarge upon it. Whichever of the Notions be true, the Unity of Milton’s Action is preserved according to either of them; whether we consider the Fall of Man in its immediate Beginning, as proceeding from the Resolutions taken in the infernal Council, or in its more remote Beginning, as proceeding from the first Revolt of the Angels in Heaven. The Occasion which Milton assigns for this Revolt, as it is founded on Hints in Holy Writ, and on the Opinion of some great Writers, so it was the most proper that the Poet could have made use of.