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PAGE 2

No. 128 [from The Spectator]
by [?]

‘Our thoughtless Sex is caught by outward Form,
And empty Noise, and loves it self in Man.’

This is a Source of infinite Calamities to the Sex, as it frequently joins them to Men, who in their own Thoughts are as fine Creatures as themselves; or if they chance to be good-humoured, serve only to dissipate their Fortunes, inflame their Follies, and aggravate their Indiscretions.

The same female Levity is no less fatal to them after Mariage than before: It represents to their Imaginations the faithful prudent Husband as an honest tractable [and] domestick Animal; and turns their Thoughts upon the fine gay Gentleman that laughs, sings, and dresses so much more agreeably.

As this irregular Vivacity of Temper leads astray the Hearts of ordinary Women in the Choice of their Lovers and the Treatment of their Husbands, it operates with the same pernicious Influence towards their Children, who are taught to accomplish themselves in all those sublime Perfections that appear captivating in the Eye of their Mother. She admires in her Son what she loved in her Gallant; and by that means contributes all she can to perpetuate herself in a worthless Progeny.

The younger Faustina was a lively Instance of this sort of Women. Notwithstanding she was married to Marcus Aurelius, one of the greatest, wisest, and best of the Roman Emperors, she thought a common Gladiator much the prettier Gentleman; and had taken such Care to accomplish her Son Commodus according to her own Notions of a fine Man, that when he ascended the Throne of his Father, he became the most foolish and abandoned Tyrant that was ever placed at the Head of the Roman Empire, signalizing himself in nothing but the fighting of Prizes, and knocking out Men’s Brains. As he had no Taste of true Glory, we see him in several Medals and Statues [which [1]] are still extant of him, equipped like an Hercules with a Club and a Lion’s Skin.

I have been led into this Speculation by the Characters I have heard of a Country Gentleman and his Lady, who do not live many Miles from Sir ROGER. The Wife is an old Coquet, that is always hankering after the Diversions of the Town; the Husband a morose Rustick, that frowns and frets at the Name of it. The Wife is overrun with Affectation, the Husband sunk into Brutality: The Lady cannot bear the Noise of the Larks and Nightingales, hates your tedious Summer Days, and is sick at the Sight of shady Woods and purling Streams; the Husband wonders how any one can be pleased with the Fooleries of Plays and Operas, and rails from Morning to Night at essenced Fops and tawdry Courtiers. The Children are educated in these different Notions of their Parents. The Sons follow the Father about his Grounds, while the Daughters read Volumes of Love-Letters and Romances to their Mother. By this means it comes to pass, that the Girls look upon their Father as a Clown, and the Boys think their Mother no better than she should be.

How different are the Lives of Aristus and Aspasia? the innocent Vivacity of the one is tempered and composed by the chearful Gravity of the other. The Wife grows wise by the Discourses of the Husband, and the Husband good-humour’d by the Conversations of the Wife. Aristus would not be so amiable were it not for his Aspasia, nor Aspasia so much [esteemed [2]] were it not for her Aristus. Their Virtues are blended in their Children, and diffuse through the whole Family a perpetual Spirit of Benevolence, Complacency, and Satisfaction.

C.

[Footnote 1: that]

[Footnote 2: to be esteemed]