FullReads

The booming of the bittern, described by Goldsmith and Nuttall, is frequently heard in our fens, in the morning and evening, sounding like a pump, or the chopping of wood in a frosty morning in some distant farm-yard. The manner in which this sound is produced I have not seen anywhere described. On one occasion, the bird has been seen by one of my neighbors to thrust its bill into the water, and suck up as much as it could hold, then raising its head, it pumped it out again with four or five heaves of the neck, throwing it two or three feet, and making the sound each time.

At length the summer’s eternity is ushered in by the cackle of the flicker among the oaks on the hill-side, and a new dynasty begins with calm security.

In May and June the woodland quire is in full tune, and given the immense spaces of hollow air, and this curious human ear, one does not see how the void could be better filled.

Each summer sound
Is a summer round.

As the season advances, and those birds which make us but a passing visit depart, the woods become silent again, and but few feathers ruffle the drowsy air. But the solitary rambler may still find a response and expression for every mood in the depths of the wood.

Sometimes-I hear the veery’s[+] clarion,
Or brazen trump of the impatient jay,
And in secluded woods the chicadee
Doles out her scanty notes, which sing the praise
Of heroes, and set forth the loveliness
Of virtue evermore.

[Footnote +: This bird, which is so well described by Nuttall, but is apparently unknown by the author of the Report, is one of the most common in the woods in this vicinity, and in Cambridge I have heard the college yard ring with its trill. The boys call it “yorrick,” from the sound of its querulous and chiding note, as it flits near the traveller through the underwood. The cowbird’s egg is occasionally found in its nest, as mentioned by Audubon.]

The phoebe still sings in harmony with the sultry weather by the brink of the pond, nor are the desultory hours of noon in the midst of the village without their minstrel.

Upon the lofty elm-tree sprays
The vireo rings the changes sweet,
During the trivial summer days,
Striving to lift our thoughts above the street.

With the autumn begins in some measure a new spring. The plover is heard whistling high in the air over the dry pastures, the finches flit from tree to tree, the bobolinks and flickers fly in flocks, and the goldfinch rides on the earliest blast, like a winged hyla peeping amid the rustle of the leaves. The crows, too, begin now to congregate; you may stand and count them as they fly low and straggling over the landscape, singly or by twos and threes, at intervals of half a mile, until a hundred have passed.

I have seen it suggested somewhere that the crow was brought to this country by the white man; but I shall as soon believe that the white man planted these pines and hemlocks. He is no spaniel to follow our steps; but rather flits about the clearings like the dusky spirit of the Indian, reminding me oftener of Philip and Powhatan, than of Winthrop and Smith. He is a relic of the dark ages. By just so slight, by just so lasting a tenure does superstition hold the world ever; there is the rook in England, and the crow in New England.

Thou dusky spirit of the wood,
Bird of an ancient brood,
Flitting thy lonely way,
A meteor in the summer’s day,
From wood to wood, from hill to hill,
Low over forest, field, and rill,
What wouldst thou say?
Why shouldst thou haunt the day?
What makes thy melancholy float?
What bravery inspires thy throat,
And bears thee up above the clouds,
Over desponding human crowds,
Which far below
Lay thy haunts low?