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The first thing to be aimed at in orison is the mind’s detachment from outer sensations, for these interfere with its concentration upon ideal things. Such manuals as Saint Ignatius’s Spiritual Exercises recommend the disciple to expel sensation by a graduated series of efforts to imagine holy scenes. The acme of this kind of discipline would be a semi-hallucinatory mono-ideism–an imaginary figure of Christ, for example, coming fully to occupy the mind. Sensorial images of this sort, whether literal or symbolic, play an enormous part in mysticism.[26] But in certain cases imagery may fall away entirely, and in the very highest raptures it tends to do so. The state of consciousness becomes then insusceptible of any verbal description. Mystical teachers are unanimous as to this. Saint John of the Cross, for instance, one of the best of them, thus describes the condition called the “union of love,” which, he says, is reached by “dark contemplation.” In this the Deity compenetrates the soul, but in such a hidden way that the soul–

“finds no terms, no means, no comparison whereby to render the sublimity of the wisdom and the delicacy of the spiritual feeling with which she is filled…. We receive this mystical knowledge of God clothed in none of the kinds of images, in none of the sensible representations, which our mind makes use of in other circumstances. Accordingly in this knowledge, since the senses and the imagination are not employed, we get neither form nor impression, nor can we give any account or furnish any likeness, although the mysterious and sweet-tasting wisdom comes home so clearly to the inmost parts of our soul. Fancy a man seeing a certain kind of thing for the first time in his life. He can understand it, use and enjoy it, but he cannot apply a name to it, nor communicate any idea of it, even though all the while it be a mere thing of sense. How much greater will be his powerlessness when it goes beyond the senses! This is the peculiarity of the divine language. The more infused, intimate, spiritual, and supersensible it is, the more does it exceed the senses, both inner and outer, and impose silence upon them….

The soul then feels as if placed in a vast and profound solitude, to which no created thing has access, in an immense and boundless desert, desert the more delicious the more solitary it is. There, in this abyss of wisdom, the soul grows by what it drinks in from the well-springs of the comprehension of love, … and recognizes, however sublime and learned may be the terms we employ, how utterly vile, insignificant, and improper they are, when we seek to discourse of divine things by their means.”[27]

[26] M. ReCeJac, in a recent volume, makes them essential. Mysticism he defines as “the tendency to draw near to the Absolute morally AND BY THE AID OF SYMBOLS.” See his Fondements de la Connaissance mystique, Paris, 1897, p. 66. But there are unquestionably mystical conditions in which sensible symbols play no part.

[27] Saint John of the Cross: The Dark Night of the Soul, book ii. ch. xvii., in Vie et Oeuvres, 3me edition, Paris, 1893, iii. 428-432. Chapter xi. of book ii. of Saint John’s Ascent of Carmel is devoted to showing the harmfulness for the mystical life of the use of sensible imagery.

I cannot pretend to detail to you the sundry stages of the Christian mystical life.[28] Our time would not suffice, for one thing; and moreover, I confess that the subdivisions and names which we find in the Catholic books seem to me to represent nothing objectively distinct. So many men, so many minds: I imagine that these experiences can be as infinitely varied as are the idiosyncrasies of individuals.