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The problem, therefore, was a hard one for Greece–to devise any art, power or machinery for fixing and propagating the great memorials of things and persons. Each generation as it succeeded would more and more furnish subjects for the recording pen of History, yet each in turn was compelled to see them slipping away like pearls from a fractured necklace. It seems easy, but in practice it must be nearly impossible, to take aim, as it were, at a remote generation–to send a sealed letter down to a posterity two centuries removed–or by any human resources, under the Grecian conditions of the case, to have a chance of clearing that vast bridgeless gulf which separates the present from the far-off ages of perfect civilization. Maddening it must have been to know by their own experience, derived from the far-off past, that no monuments had much chance of duration, except precisely those small ones of medals and sculptured gems, which, if durable by metallic substance and interesting by intrinsic value, were in the same degree more liable to loss by shipwreck, fire, or other accidents applying to portable things, but above all furnished no field for more than an intense abstractiveness. The Iliad arose, as we shall say, a thousand years before Christ, consequently it bisected precisely the Hebrew history which arose two thousand years before the same era. Now the Iliad was the very first historic record of the Greeks, and it was followed at intervals by many other such sections of history, in the shape of Nostoi, poems on the homeward adventures of the Greek heroes returning from Troy, or of Cyclical Poems taking a more comprehensive range of action from the same times, filling up the interspace of 555 years between this memorable record of the one great Pagan Crusade[4] at the one limit, and the first Greek prose history–that of Herodotus–at the lower limit. Even through a space of 555 years subsequent to the Iliad, which has the triple honour of being the earliest Greek book, the earliest Greek poem, the earliest Greek history, we see the Grecian annals but imperfectly sustained; legends treated with a legendary variety; romances embroidered with romantic embellishments; poems, which, if Greek narrative poetry allowed of but little fiction and sternly rejected all pure invention, yet originally rested upon semi-fabulous and mythological marvels, and were thus far poetic in the basis, that when they durst not invent they could still garble by poetical selection where they chose; and thus far lying–that if they were compelled to conform themselves to the popular traditions which must naturally rest upon a pedestal of fact, it was fact as seen through an atmosphere of superstition, and imperceptibly modified by priestly arts.

The sum, therefore, of our review is, that one thousand [1,000] years B.C. did the earliest Grecian record appear, being also the earliest Greek poem, and this poem being the earliest Greek book; secondly, that for the five-hundred-and-fifty-five [555] years subsequent to the earliest record, did the same legendary form of historic composition continue to subsist. On the other hand, as a striking antithesis to this Grecian condition of history, we find amongst the Hebrews a circumstantial deduction of their annals from the very nativity of their nation–that is, from the birth of the Patriarch Isaac, or, more strictly, of his son the Patriarch Jacob–down to the captivity of the two tribes, their restoration by Cyrus, and the dedication of the Second Temple. This Second Temple brings us abreast of Herodotus, the first Greek historian. Fable with the Greeks is not yet distinguished from fact, but a sense of the distinction is becoming clearer.

The privileged use of the word Crusade, which we have ventured to make with reference to the first great outburst of Greek enthusiasm, suggests a grand distinction, which may not unreasonably claim some illustration, so deep does it reach in exhibiting the contrast between the character of the early annals of the Hebrews and those of every other early nation.