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The “Tales from Shakespeare” was written at the suggestion of Godwin, seconded by Charles. The idea that she herself could write seemed never to have occurred to Mary, until Charles swore with a needless oath that all the ideas he ever had she supplied.

“Charles, dear, you’ve been drinking again!” said Mary. But the “Tales” sold and sold well; fame came that way and more money than the simple, plain, homekeeping bodies needed. So they started a pension-roll for sundry old ladies, and to themselves played high and mighty patron, and figured and talked and joked over the blue teacups as to what they should do with their money–five hundred pounds a year! Goodness gracious, if the Bank of England gets in a pinch advise C.L., at Thirty-four Southampton Buildings, third floor, second turning to the left but one.

A Mrs. Reynolds was one of the pensioners, but no one knew it but Mrs. Reynolds, and she never told. She was a Lady of the Old School, and used often to dine with the Lambs and get her snuffbox filled. Her husband had been a ship-captain or something, and when the tea was strong she would take snuff and tell the visitors about him and swear she had ever been true to his memory, though God knows all good-looking and clever widows are sorely tried in this scurvy world!

Mrs. Reynolds met Thomas Hood at a “Saturday Evening” at the Lambs’, and he was so taken with her that he has told us “she looked like an elderly wax doll in half-mourning, and when she spoke it was as if by an artificial process; she always kept up the gurgle and buzz until run down.”

Mrs. Reynolds’ sole claim to literary distinction was the fact that she had known Goldsmith and he had presented her with an inscribed copy of “The Deserted Village.”

But we all have a tender place in our hearts for the elderly wax doll because the Lambs were so gentle and patient with her, and once a year went to Highgate and put a shilling vase of flowers over the grave of the Captain to whose memory she was ever true.

These friendless old souls used to meet and mix at the Lambs’ with those whose names are now deathless. You can not write the history of English Letters and leave the Lambs out. They were the loved and loving friends of Southey, Wordsworth, Coleridge, De Quincey, Jeffrey and Godwin. They won the recognition of all who prize the far-reaching intellect–the subtle imagination. The pathos and tenderness of their lives entwine us with tendrils that hold our hearts in thrall.

They adopted a little girl, a beautiful little girl by the name of Emma Isola. And never was there child that was a greater joy to parents than was Emma Isola to Charles and Mary. The wonder is they did not spoil her with admiration, and by laughing at all her foolish little pranks. Mary set herself the task of educating this little girl, and formed a class the better to do it–a class of three: Emma Isola, William Hazlitt’s son and Mary Victoria Novello. I met Mary Victoria once; she’s over eighty years of age now. Her form is a little bent, but her eye is bright and her smile is the smile of youth. Folks call her Mary Cowden-Clarke.

And I want you to remember, dearie, that it was Mary Lamb who introduced the other Mary to Shakespeare, by reading to her the manuscript of the “Tales.” And further, that it was the success of the “Tales” that fired Mary Cowden-Clarke with an ambition also to do a great Shakespearian work. There may be a question about the propriety of calling the “Tales” a great work–their simplicity seems to forbid it–but the term is all right when applied to that splendid life-achievement, the “Concordance,” of which Mary Lamb was the grandmother.

Emma Isola married Edward Moxon, and the Moxon home was the home of Mary Lamb whenever she wished to make it so, to the day of her death. The Moxons did good by stealth, and were glad they never awoke and found it fame.

“What shall I do when Mary leaves me, never to return?” once said Charles to Manning. But Mary lived for full twenty years after Charles had gone, and lived only in loving memory of him who had devoted his life to her. She seemed to exist just to talk of him and to garland the grave in the little old churchyard at Edmonton, where he sleeps. Wordsworth says, “A grave is a tranquillizing object: resignation in time springs up from it as naturally as wild flowers bespread the turf.” Her work was to look after the “pensioners” and carry out the wishes of “my brother Charles.”

But the pensioners were laid away to rest, one after the other, and the gentle Mary, grown old and feeble, became a pensioner, too, but thanks to that divine humanity that is found in English hearts, she never knew it. To the last, she looked after “the worthy poor,” and carried flowers once a year to the grave of the gallant Captain Reynolds at Highgate, and never tired of sounding the praises of Charles and excusing the foibles of Coleridge. She lived only in the past, and its loving memories were more than a ballast ‘gainst the ills of the present.

And so she went down into the valley and entered the great shadow, telling in cheerful, broken musings of a brother’s love.

And then she was carried to the churchyard at Edmonton. There she rests in the grave with her brother. In life they were never separated, and in death they are not divided.