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Lily
by
The old couple were very fond of Lily. How carefully they made her bed on cold nights! How considerately they fed her on boiled potatoes, skim milk, and other wondrous delicacies! She, too, came shambling up whenever she heard her name, and, with a grunt, acknowledged their bounty. ‘Dear old Lily,’ poor Mary exclaimed fervently, as Lily lifted her snout to be rubbed, and looked with queer, piggish eyes into those of her doting mistress.
Yes, Lily was a pig, but she was none the worse for that; and if any ridiculous person objects to my taking a pig for my heroine, I shall take offence and write no more novels. Lily, I repeat, was none the worse for being a pig. And I am sure that John and Mary were none the worse for loving her. It is always safe to love, for if you love that which cannot profit by your love, your love comes back to you, like Noah’s dove, and you yourself are none the poorer. But I am not at all sure that affection was wasted on Lily. Why should it be? There is no disgrace in being born a pig. It did not even show bad taste on Lily’s part, for Lily was not asked. She came; and found, on arrival, that she was what men called a pig; and as a pig she performed her part so well that those who knew her grew very fond of her. What more can the best of us do? And, after all, why this squeamishness? Why this revulsion of feeling when I announce that my heroine is a pig? I aver that it is a species of snobbery–a very contemptible species of snobbery. Booker Washington used to declare that a high-grade Berkshire boar, or a Poland China sow, is one of the finest sights on this planet. And one of our own philosophers has gone into rhapsodies over the pig. ‘Pigs,’ he says, ‘always seem to me like a fallen race that has seen better days. They are able, intellectual, inquisitive creatures. When they are driven from place to place, they are not gentle or meek, like cows and sheep, who follow the line of least resistance. The pig is suspicious and cautious; he is sure that there is some uncomfortable plot on foot, not wholly for his good, which he must try to thwart if he can. Then, too, he never seems quite at home in his deplorably filthy surroundings; he looks at you, up to the knees in ooze, out of his little eyes as if he would live in a more cleanly way if he were permitted. Pigs always remind me of the mariners of Homer, who were transformed by Circe; there is a dreadful humanity about them, as if they were trying to endure their base conditions philosophically, waiting for their release.’ All this I entreat my critic to lay well to heart before he judges me too severely for selecting Lily as my heroine.
I suppose the truth is, if only my supercilious critics could be trusted to tell the whole truth, that Lily is not good-looking enough for them. But that, again, is all a question of taste. Beauty is relative and not absolute. My critics may themselves be at fault. The real trouble may be, not want of comeliness in Lily, but a sad lack of appreciation in themselves. I notice that the champion Yorkshire sow at the Sydney Show this year was Mr. E. Jenkins’ ‘Queen of Beauty’; and as I gazed upon her photograph and noted her alluring name, I thought once more of Lily and laughed in my sleeve at my critics. I once spent a week with an old Lincolnshire gentleman at Kirwee, in New Zealand; and almost before I had been able to bolt the meal that awaited my arrival, he begged me to come and see the pigs. And at the very first animal to which we came my happy host rubbed his hands in an ecstasy of pride, whilst his eyes fairly sparkled. ‘Bean’t he a beauty?’ he asked me excitedly. And I answered confidently that he was. I could see at a glance that the pig was a beauty to him ; and if he was a beauty to him, he was a beauty, and there remained no more to be said. I remember reading a story of two ministers who met beneath the hospitable roof of an old-fashioned English farm-house. One of them no sooner approached the table than he uttered an exclamation of delight. Picking up one of the cups, he spoke of the wonderful beauty of the china. He held the plates up to the light and asked the others to see how thin they were, and went into ecstasies over the wondrous old china that had been in the farm-house for many generations. The other took little interest in his talk, and could not be aroused to enthusiasm over the china; but when the farmer took out of his cupboard some old books, one of which was a black-letter commentary, he became excited. He turned the pages over lovingly, and pointed to the quaint initials, and became eloquent over their beauties. The farmer thought both men silly. Neither the china nor the books seemed precious to him. ‘What a heap o’ nonsense ye be talking surely,’ he said. ‘Now if ye want to see something worth seeing, come along o’ me, and I’ll show you the finest litter o’ pigs in the country.’