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PAGE 8

John Dennis: On The Genius And Writings Of Shakespeare. 1711
by [?]

” Colchus an Assyrius, Thebis nutritus an Argis. “

Thus, Sir, I have endeavour’d to shew under what great Disadvantages Shakespear lay, for want of the Poetical Art, and for want of being conversant with the Ancients.

But besides this, he lay under other very great Inconveniencies. For he was neither Master of Time enough to consider, correct, and polish what he wrote, to alter it, to add to it, and to retrench from it, nor had he Friends to consult upon whose Capacity and Integrity he could depend. And tho’ a Person of very good Judgment may succeed very well without consulting his Friends, if he takes time enough to correct what he writes; yet even the greatest Man that Nature and Art can conspire to accomplish, can never attain to Perfection, without either employing a great deal of time, or taking the Advice of judicious Friends. Nay, ’tis the Opinion of Horace that he ought to do both.

Siquid tamen olim
Scripseris, in Metii descendat Judicis aures,
Et Patris, & nostras; nonumque prematur in Annum.

Now we know very well that Shakespear was an Actor, at a time when there were seven or eight Companies of Players in the Town together, who each of them did their utmost Endeavours to get the Audiences from the rest, and consequently that our Author was perpetually call’d upon, by those who had the Direction and Management of the Company to which he belong’d, for new Pieces which might be able to support them, and give them some Advantage over the rest. And ’tis easie to judge what Time he was Master of, between his laborious Employment of Acting and his continual Hurry of Writing. As for Friends, they whom in all likelihood Shakespear consulted most were two or three of his Fellow-Actors, because they had the Care of publishing his Works committed to them. Now they, as we are told by Ben Johnson in his Discoveries, were extremely pleas’d with their Friend for scarce ever making a Blot; and were very angry with Ben for saying he wish’d that he had made a thousand. The Misfortune of it is that Horace was perfectly of Ben‘s, mind.

—-Vos, O
Pompilius sanguis, carmen reprehendite, quod non
Multa dies & multa litura coercuit, atque
Praesectum decies non castigavit ad unguem.

And so was my Lord Roscommon.

Poets lose half the Praise they should have got,
Could it be known what they discreetly blot.

These Friends then of Shakespear were not qualify’d to advise him. As for Ben Johnson, besides that Shakespear began to know him late, and that Ben was not the most communicative Person in the World of the Secrets of his Art, he seems to me to have had no right Notion of Tragedy. Nay, so far from it, that he who was indeed a very great Man, and who has writ Comedies, by which he has born away the Prize of Comedy both from Ancients and Moderns, and been an Honour to Great Britain ; and who has done this without any Rules to guide him, except what his own incomparable Talent dictated to him; This extraordinary Man has err’d so grossly in Tragedy, of which there were not only stated Rules, but Rules which he himself had often read, and had even translated, that he has chosen two Subjects, which, according to those very Rules, were utterly incapable of exciting either Compassion or Terror for the principal Characters, which yet are the chief Passions that a Tragick Poet ought to endeavour to excite. So that Shakespear having neither had Time to correct, nor Friends to consult, must necessarily have frequently left such faults in his Writings, for the Correction of which either a great deal of Time or a judicious and a well-natur’d Friend is indispensably necessary.