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I should here answer an Argument, by which some People pretend to prove, and especially those with whom I lately convers’d, that Shakespear was conversant with the Ancients. But besides that the Post is about to be gone, I am heartily tir’d with what I have already writ, and so doubtless are you; I shall therefore defer the rest to the next opportunity, and remain

Your, &c;
.

Letter III.

Sir, Feb. 8.

I come now to the main Argument, which some People urge to prove that Shakespear was conversant with the Ancients. For there is, say they, among Shakespear‘s Plays, one call’d The Comedy of Errors, which is undeniably an Imitation of the Menechmi of Plautus. Now Shakespear, say they, being conversant with Plautus, it undeniably follows that he was acquainted with the Ancients; because no Roman Author could be hard to him who had conquer’d Plautus. To which I answer, that the Errors which we have mention’d above are to be accounted for no other way but by the want of knowing the Ancients, or by downright want of Capacity. But nothing can be more absurd or more unjust than to impute it to want of Capacity. For the very Sentiments of Shakespear alone are sufficient to shew that he had a great Understanding: And therefore we must account some other way for his Imitation of the Menechmi. I remember to have seen, among the Translations of Ovid‘s Epistles printed by Mr. Tonson, an Imitation of that from OEnone to Paris, which Mr. Dryden tells us in his Preface to those Epistles was imitated by one of the Fair Sex who understood no Latin, but that she had done enough to make those blush who understood it the best. There are at this day several Translators, who, as Hudibrass has it,

Translate from Languages of which
They understand no part of Speech.

I will not affirm that of Shakespear ; I believe he was able to do what Pedants call construe, but that he was able to read Plautus without Pain and Difficulty I can never believe. Now I appeal to you, Sir, what time he had between his Writing and his Acting, to read any thing that could not be read with Ease and Pleasure. We see that our Adversaries themselves acknowledge, that if Shakespear was able to read Plautus with Ease, nothing in Latinity could be hard to him. How comes it to pass then, that he has given us no Proofs of his familiar Acquaintance with the Ancients, but this Imitation of the Menechmi, and a Version of two Epistles of Ovid ? How comes it that he had never read Horace, of a superiour Merit to either, and particularly his Epistle to the Piso’s, which so much concern’d his Art? Or if he had read that Epistle, how comes it that in his Troylus and Cressida [we must observe by the way, that when Shakespear wrote that Play, Ben Johnson had not as yet translated that Epistle] he runs counter to the Instructions which Horace has given for the forming the Character of Achilles ?

Scriptor: Honoratum si forte reponis Achillem,
Impiger, Iracundus, Inexorabilis, Acer,
Jura neget sibi nata.