FullReads

But Americans have little aptitude for self-expression. They prefer to huddle, like cattle, under unspeakable whips when matters of art are under discussion. They fear ridicule. As a consequence many of the richest men in this country never really live in their own homes, never are comfortable for a moment, although the walls are hung double with Fragonards and hawthorne vases stand so deep upon the tables that no space remains for the “Saturday Review” or “le Temps.” And they never, never, never, will know the pleasure which comes while stumbling down a side street in London, or in the mouldy corners of the Venetian ghetto, or in the Marche du Temple in Paris, or, heaven knows, in New York, on lower Fourth Avenue, or in Chinatown, or in a Russian brass shop on Allen Street, or in a big department store (as often there as anywhere) in finding just the lamp for just the table in just the corner, or in discovering a bit of brocade, perhaps the ragged remnant of a waistcoat belonging to an aristocrat of the Directorate, which will lighten the depths of a certain room, or a chair which goes miraculously with a desk already possessed, or a Chinese mirror which one had almost decided did not exist. Nor will they ever experience the joy of sudden decision in front of a picture by Matisse, which ends in the sale of a Delacroix. Nor can they feel the thrill which is part of the replacing of a make-shift rug by the rug of rugs (let us hope it was Solomon’s!).

I know a lady in Paris whose salon presents a different aspect each summer. Do her Picassos go, a new Spanish painter has replaced them. Have you missed the Gibbons carving? Spanish church carving has taken its place. “And where are your Venetian embroideries?” “I sold them to the Marquise de V…. The money served to buy these Persian miniatures.” This lady has travelled far. She is not experimenting in doubtful taste or bad art; she is not even experimenting in her own taste: she is simply enjoying different epochs, different artists, different forms of art, each in its turn, for so long as it says anything to her. Her house is not a museum. Space and comfort demand exclusion but she excludes nothing forever that she desires…. She exchanges.

Taste at best is relative. It is an axiom that anybody else’s taste can never say anything to you although you may feel perfectly certain that it is better than your own. If more of the money of the rich were spent in encouraging children to develop their own ideas in furnishing their own rooms it would serve a better purpose than it does now when it is dropped into the ample pockets of the professional decorators. Oscar Wilde wrote, “A colour sense is more important in the development of the individual than a sense of right and wrong.” Any young boy or girl can learn something about such matters; most of them, if not shamed out of it, take a natural interest in their surroundings. You will see how true this is if you attempt to rearrange a child’s room. Those who have bad taste, relatively, should literally be allowed to make their own beds. On the whole it is preferable to be comfortable in red and green velvet upholstery than to be beautiful and unhappy in a household decorator’s gilded cage.

September 3, 1915.