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PAGE 3

Herbert Spencer’s Autobiography
by [?]

A sort of mill, this, wound up to grind in a certain way, and irresponsive otherwise.

“To apply day after day merely with the general idea of acquiring information, or of increasing ability, was not in me.” “Anything like passive receptivity is foreign to my nature; and there results an unusually small tendency to be affected by others’ thoughts. It seems as though the fabric of my conclusions had in all cases to be developed from within. Material which could be taken in and organized so as to form part of a coherent structure, there was always a readiness to receive. But ideas and sentiments of alien kinds, or unorganizable kinds, were, if not rejected, yet accepted with indifference, and soon dropped away.” “It has always been out of the question for me to go on reading a book the fundamental principles of which I entirely dissent from. I take it for granted that if the fundamental principles are wrong the rest cannot be right; and thereupon cease reading–being, I suspect, rather glad of an excuse for doing so.” “Systematic books of a political or ethical kind, written from points of view quite unlike my own, were either not consulted at all, or else they were glanced at and thereafter disregarded” (vol. i, pages 215, 277, 289, 350).

There is pride rather than compunction in these confessions. Spencer’s mind was so narrowly systematized, that he was at last almost incapable of believing in the reality of alien ways of feeling. The invariable arrogance of his replies to criticisms shows his absolute self-confidence. Every opinion in the world had to be articulately right or articulately wrong,–so proved by some principle or other of his infallible system.

He confesses freely his own inflexibility and censoriousness. His account of his father makes one believe in the fatality of heredity. Born of old nonconformist stock, the elder Spencer was a man of absolute punctuality. Always he would step out of his way to kick a stone off the pavement lest somebody should trip over it. If he saw boys quarrelling he stopped to expostulate; and he never could pass a man who was ill-treating a horse without trying to make him behave better. He would never take off his hat to any one, no matter of what rank, nor could he be induced to address any one as “Esquire” or as “Reverend.” He would never put on any sign of mourning, even for father and mother; and he adhered to one style of coat and hat throughout all changes of fashion. Improvement was his watchword always and everywhere. Whatever he wrote had to be endlessly corrected, and his love of detail led all his life to his neglecting large ends in his care for small ones. A good heart, but a pedantic conscience, and a sort of energetically mechanical intelligence.

Of himself Herbert Spencer says: “No one will deny that I am much given to criticism. Along with exposition of my own views there has always gone a pointing out of defects in those of others. And if this is a trait in my writing, still more is it a trait in my conversation. The tendency to fault-finding is dominant–disagreeably dominant. The indicating of errors in thought and speech made by those around has all through life been an incurable habit–a habit for which I have often reproached myself, but to no purpose.”

The “Autobiography” abounds in illustrations of the habit. For instance:–

“Of late I have observed sundry cases in which, having found the right, people deliberately desert it for the wrong. . . . A generation ago salt-cellars were made of convenient shapes–either ellipses or elongated parallelograms: the advantage being that the salt-spoon, placed lengthwise, remained in its place. But for some time past, fashion has dictated circular salt-cellars, on the edges of which the salt-spoon will not remain without skilful balancing: it falls on the cloth. In my boyhood a jug was made of a form at once convenient and graceful. . . . Now, however, the almost universal form of jug in use is a frustum of a cone with a miniature spout. It combines all possible defects. When anything like full, it is impossible to pour out a small quantity without part of the liquid trickling down beneath the spout; and a larger quantity cannot be poured out without exceeding the limits of the spout and running over on each side of it. If the jug is half empty, the tilting must be continued a long time before any liquid comes; and then, when it does come, it comes with a rush; because its surface has now become so large that a small inclination delivers a great deal. To all which add that the shape is as ugly a one as can well be hit upon. Still more extraordinary is the folly of a change made in another utensil of daily use”–and Spencer goes on to find fault with the cylindrical form of candle extinguisher, proving by a description of its shape that “it squashes the wick into the melted composition, the result being that when, next day, the extinguisher is taken off, the wick, imbedded in the solidified composition, cannot be lighted without difficulty” (vol. ii, page 238).