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PAGE 5

Henry D. Thoreau
by [?]

* * * * *

Let this fact stand: it was Emerson who made Concord. He saw it first–he was on the ground, and the place was his by right of discovery, the title strengthened by the fact that four of his ancestors had been Concord clergymen, and the most excellent and venerable Doctor Ripley, a near kinsman.

Concord and Emerson, as early as Eighteen Hundred Forty, when Emerson was thirty-seven years old, were synonymous. He had defied the traditions of Harvard, been excommunicated by his Alma Mater, published his pantheistic Essay on Nature, and his thin little books and sermons had been placed on the Boston Theological Index Expurgatorius.

Through it all he had remained gentle, smiling, sympathetic, unresentful.

The world can never spare the man who does his work and holds his peace. Emerson was being lifted up, and souls were being drawn unto him.

In Eighteen Hundred Forty, Bronson Alcott, the American Socrates, with his interesting family, moved to Concord, drawn thither by the magnet of Emerson’s personality. Louisa wore short dresses, and used to pick wild blackberries and sell them to the Emersons and get goodly reward in silver, and kindly smiles, and pats on her brown head by the hand that wrote “Compensation.”

Alcott was a great, honest, sincere soul, and a true anarch, for he took his own wherever he saw it. He used to run his wheelbarrow into Emerson’s garden and load it up with potatoes, cabbages or turnips, and once in response to a hint that the vegetables were private property, the old man somewhat petulantly exclaimed, “I need them!–I need them!”

And that was all: anything that any man needed was his by divine right. And the consistency of Alcott’s philosophy was shown in that he never took anything or any more than he needed, and if he had something that you needed, you were certainly welcome to it. If Alcott helped himself to the thrifty Emerson’s vegetables, both Emerson and Thoreau helped themselves to Alcott’s ideas.

Once a wagonload of wood broke down in front of Alcott’s house, and the farmer unhitched his horses and went on to the village to procure a new wheel. Before he got back, Alcott had carried every stick of the combustibles into his own wood-shed. “Providence remembers us!” he said. His faith was sublime.

When all the world reaches the Alcott stage, there will be no need of soldiers, policemen, night-watchmen, or bolts, bars and locks.

In Eighteen Hundred Forty, Nathaniel Hawthorne came to Concord from Salem, where he had resigned his clerkship in the custom-house, that he might devote all his time to literature. He moved into the Old Manse, which had just been vacated by Doctor Ripley, who had gone a-Brook-Farming–the Old Manse where Emerson himself once lived. Elizabeth Peabody, the talented sister of Hawthorne’s wife, lived at a convenient distance, and to her Hawthorne read most of his manuscript, for I need not explain that literature is not literature until it is read aloud and reflected back by a sympathetic, discerning mind. Literature is a collaboration between the reader and the listener.

Margaret Fuller, with her tragic life-story still unwound, lived hard by, and Hawthorne had already worked her up into copy as “Zenobia.” Margaret’s sister Ellen had married Ellery Channing, the closest, warmest friend that Henry Thoreau ever knew. The gossips arranged a doublewedding, with Henry and Margaret as the other principals; but when interviewed on the theme, Henry had merely shaken his head and said, “In the first place, Margaret Fuller is not fool enough to marry me; and second, I am not fool enough to marry her.”

An Irishman who saw Thoreau in the field making a minute in his notebook took it for granted that he was casting up his wages, and inquired what they came to. It was a peculiar farmhand who cared more for ideas than for wages.