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Grots And Groves
by
But if they can do so, how much more can we of the Church of England? As long as we go on where our medieval forefathers left off; as long as we keep to the most perfect types of their work, in waiting for the day when we shall be able to surpass them, by making our work even more naturalistic than theirs, more truly expressive of the highest aspirations of humanity; so long we are reverencing them, and that latent Protestantism in them, which produced at last the Reformation.
And if any should say: “Nevertheless your Protestant Gothic Church, though you made it ten times more beautiful, and more symbolic than Cologne Minster itself, would still be a sham. For where would be your images? And still more, where would be your Host? Do you not know that in the medieval church the vistas of its arcades, the alternation of its lights and shadows, the gradations of its colouring, and all its carefully subordinated wealth of art, pointed to, were concentrated round, one sacred spot, as a curve, however vast its sweep through space, tends at every moment toward a single focus? And that spot, that focus was, and is still in every Romish church, the body of God, present upon the altar in the form of bread? Without Him, what is all your building? Your church is empty; your altar bare; a throne without a king; an eye-socket without an eye.”
My friends, if we be true children of those old worthies, whom Tacitus saw worshipping beneath the German oaks, we shall have but one answer to that scoff:
“We know it; and we glory in the fact. We glory in it, as the old Jews gloried in it, when the Roman soldiers, bursting through the Temple and into the Holy of Holies itself, paused in wonder and in awe when they beheld neither God, nor image of God, but–blank yet all-suggestive–the empty mercy-seat.
“Like theirs, our altar is an empty throne; for it symbolises our worship of Him who dwelleth not in temples made with hands; whom the heaven and the heaven of heavens cannot contain. Our eye-socket holds no eye. For it symbolises our worship of that Eye which is over all the earth; which is about our path, and about our bed, and spies out all our ways. We need no artificial and material presence of Deity. For we believe in That One Eternal and Universal Real Presence–of which it is written ‘He is not far from anyone of us; for in God we live and move and have our being;’ and again: ‘Lo, I am with you even to the end of the world;’ and again: ‘Wheresoever two or three are gathered together in My Name there am I in the midst of them.’
“He is the God of nature, as well as the God of grace. Forever He looks down on all things which He has made, and behold, they are very good. And, therefore, we dare offer to Him, in our churches, the most perfect works of naturalistic art, and shape them into copies of whatever beauty He has shown us, in man or woman, in cove or mountain-peak, in tree or flower, even in bird or butterfly.
“But Himself?–Who can see Him? Except the humble and the contrite heart, to whom He reveals Himself as a Spirit to be worshipped in spirit and in truth, and not in bread, nor wood, nor stone, nor gold, nor quintessential diamond.”
So we shall obey the sound instinct of our Christian forefathers, when they shaped their churches into forest aisles, and decked them with the boughs of the woodland and the flowers of the field: but we shall obey too, that sounder instinct of theirs, which made them at last cast out of their own temples, as misplaced and unnatural things, the idols which they had inherited from Rome.
So we shall obey the sound instinct of our heathen forefathers when they worshipped the unknown God beneath the oaks of the primeval forests: but we shall obey, too, that sounder instinct of theirs, which taught them this, at least, concerning God–That it was beneath His dignity to coop Him within walls; and that the grandest forms of nature, as well as the deepest consciousness of their own souls, revealed to them a mysterious Being, who was to be beheld by faith alone.