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PAGE 6

Goethe
by [?]

These pageants of 1763-64 occupy a considerable space in Goethe’s Memoirs, and with some logical propriety at least, in consideration of their being exclusively attached to Frankfort, and connected by manifold links of person and office with the privileged character of the city. Perhaps he might feel a sort of narrow local patriotism in recalling these scenes to public notice by description, at a time when they had been irretrievably extinguished as realities. But, after making every allowance for their local value to a Frankfort family, and for their memorable splendor, we may venture to suppose that by far the most impressive remembrances which had gathered about the boyhood of Goethe, were those which pointed to Frederick of Prussia. This singular man, so imbecile as a pretender to philosophy and new lights, so truly heroic under misfortunes, was the first German who created a German interest, and gave a transient unity to the German name, under all its multiplied divisions. Were it only for this conquest of difficulties so peculiar, he would deserve his German designation of Fred. the Unique, (Fritz der einzige.) He had been partially tried and known previously; but it was the Seven Years’ War which made him the popular idol. This began in 1756; and to Frankfort, in a very peculiar way, that war brought dissensions and heart-burnings in its train. The imperial connections of the city with many public and private interests, pledged it to the anti-Prussian cause. It happened also that the truly German character of the reigning imperial family, the domestic habits of the empress and her young daughters, and other circumstances, were of a nature to endear the ties of policy; self-interest and affection pointed in the same direction. And yet were all these considerations allowed to melt away before the brilliant qualities of one man, and the romantic enthusiasm kindled by his victories. Frankfort was divided within herself; the young and the generous were all dedicated to Frederick. A smaller party, more cautious and prudent, were for the imperialists. Families were divided upon this question against families, and often against themselves; feuds, begun in private, issued often into public violence; and, according to Goethe’s own illustration, the streets were vexed by daily brawls, as hot and as personal as of old between the Capulets and Montagues.

These dissensions, however, were pursued with not much personal risk to any of the Goethes, until a French army passed the Rhine as allies of the imperialists. One corps of this force took up their quarters in Frankfort; and the Comte Thorane, who held a high appointment on the staff, settled himself for a long period of time in the spacious mansion of Goethe’s father. This officer, whom his place made responsible for the discipline of the army in relation to the citizens, was naturally by temper disposed to moderation and forbearance. He was indeed a favorable specimen of French military officers under the old system; well bred, not arrogant, well informed, and a friend of the fine arts. For painting, in particular, he professed great regard and some knowledge. The Goethes were able to forward his views amongst German artists; whilst, on the other hand, they were pleased to have thus an opportunity of directing his patronage towards some of their own needy connections. In this exchange of good offices, the two parties were for some time able to maintain a fair appearance of reciprocal good-will. This on the comte’s side, if not particularly warm, was probably sincere; but in Goethe the father it was a masque for inveterate dislike. A natural ground of this existed in the original relations between them. Under whatever disguise or pretext, the Frenchman was in fact a military intruder. He occupied the best suite of rooms in the house, used the furniture as his own; and, though upon private motives he abstained from doing all the injury which his situation authorized, (so as in particular to have spread his fine military maps upon the floor, rather than disfigure the decorated walls by nails,) still he claimed credit, if not services of requital, for all such instances of forbearance. Here were grievances enough; but, in addition to these, the comte’s official appointments drew upon him a weight of daily business, which kept the house in a continual uproar. Farewell to the quiet of a literary amateur, and the orderliness of a German household. Finally, the comte was a Frenchman. These were too many assaults upon one man’s patience. It Will be readily understood, therefore, how it happened, that, whilst Goethe’s gentle minded mother, with her flock of children, continued to be on the best terms with Comte Thorane, the master of the house kept moodily aloof, and retreated from all intercourse.