**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 4

Gainsborough
by [?]

Let that pass: the branches parted and Margaret stepped out into the open. She thought she was alone, when all at once her eyes looked full into the eyes of the young artist–not a hundred feet away. She was startled; she blushed, stammered and tried to apologize for the intrusion. Her splendid self-possession had failed her for once–she was going to flee by the way she had come. “Hold that position, please–stand just as you are!” called the artist in a tone of authority.

Even the proudest of women are willing to accept orders when the time is ripe; and I am fully convinced that to be domineered over by the right man is a thing all good women warmly desire.

Margaret Burr, the proud beauty, stood stock-still, and Thomas Gainsborough admitted her into his landscape and his heart.

This is not a love-story, or we might begin here and extend our booklet into a volume. Suffice it to say that within a few short months after their first meeting the young woman, being of royal blood, exercised her divine right and “proposed.” She proposed just as Queen Victoria did later. And then they were married–both under twenty–and lived happily ever after.

It is a great mistake to assume that pride and a high degree of commonsense can not go together. Margaret knew how to manage. After a short stay in Sudbury the couple rented a cottage at Ipswich for six pounds a year–a dovecot with three rooms. The proud beauty would not let the place be profaned by a servant: she did all the work herself; and if she wanted help, she called on her husband. Base is the man who will not fetch and carry for the woman he loves. They were accounted the handsomest and most distinguished couple in all Sudbury; and when they attended church, there was so much craning of necks and so many muffled exclamations of admiration, that the clergyman made it a point not to begin the service until they were safely seated.

They were very happy: they loved each other, and so loved life and everything and everybody, and God’s great green out-o’-doors was their playhouse. Margaret’s income was quite sufficient for their needs, and mad ambition passed them by. Gainsborough drew pictures and painted and sketched, and then gave his pictures away.

Music was his passion, and whenever at the concerts held round about there the player did exceptionally well, Gainsborough would proffer a picture in exchange for the instrument used. In this way the odd corners of their house got filled with violins, lutes, hautboys, kettledrums and curious stringed things that have died the death and are now extinct. At this time, if any one had asked Gainsborough his profession, he would have said, “I am a musician.”

Fifteen years had slipped into the eternity that lies behind–“years not lost, for we can turn the hourglass and live them all over in sweet memory,” once said Gainsborough to his wife. The constant sketching had developed much skill in the artist’s hand. Thicknesse had come puffing alongside, and insisted out of pure friendliness on taking the artist and wife in tow. They laughed at him behind his back, and carried on conversation over his head, and dropped jokes at his feet by looks and pantomime, and communicated in cipher–for true lovers always evolve a code.

Thicknesse was sincere and serious, and surely was not wholly bad– even Mephisto is not bad all of the time. Mrs. Gainsborough once said she would prefer Mephisto to Thicknesse, because Mephisto had a sense of humor. Very often they naturally referred to Thicknesse as “Thickhead”–the joke was too obvious to let pass entirely, until each “took the pledge,” witnessed by Gainsborough’s favorite terrier, “Fox.”

Thicknesse had a Summer House at Bath, and thither he insisted his friends should go. He would vouch for them and introduce them into the best society. He would even introduce them to Beau Nash, “the King of Bath,” and arrange to have Gainsborough do himself the honor of painting the “King’s” picture. Two daughters nearing womanhood reminded Mr. and Mrs. Gainsborough that an increase in income would be well; and Thicknesse promised many commissions from his friends, the gentry.