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His style is in perfect correspondence with this habit of mind. Though diffuse, as that of all preachers must be, it has rapidity of movement, perfect clearness, and some aptness of illustration. He has much of that literary talent which makes a good journalist–the power of beating out an idea over a large space, and of introducing far-fetched a propos. His writings have, indeed, no high merit: they have no originality or force of thought, no striking felicity of presentation, no depth of emotion. Throughout nine volumes we have alighted on no passage which impressed us as worth extracting, and placing among the “beauties,” of evangelical writers, such as Robert Hall, Foster the Essayist, or Isaac Taylor. Everywhere there is commonplace cleverness, nowhere a spark of rare thought, of lofty sentiment, or pathetic tenderness. We feel ourselves in company with a voluble retail talker, whose language is exuberant but not exact, and to whom we should never think of referring for precise information or for well-digested thought and experience. His argument continually slides into wholesale assertion and vague declamation, and in his love of ornament he frequently becomes tawdry. For example, he tells us (“Apoc. Sketches,” p. 265) that “Botany weaves around the cross her amaranthine garlands; and Newton comes from his starry home–Linnaeus from his flowery resting-place–and Werner and Hutton from their subterranean graves at the voice of Chalmers, to acknowledge that all they learned and elicited in their respective provinces has only served to show more clearly that Jesus of Nazareth is enthroned on the riches of the universe:”–and so prosaic an injunction to his hearers as that they should choose a residence within an easy distance of church, is magnificently draped by him as an exportation to prefer a house “that basks in the sunshine of the countenance of God.” Like all preachers of his class, he is more fertile in imaginative paraphrase than in close exposition, and in this way he gives us some remarkable fragments of what we may call the romance of Scripture, filling up the outline of the record with an elaborate coloring quite undreamed of by more literal minds. The serpent, he informs us, said to Eve, “Can it be so? Surely you are mistaken, that God hath said you shall die, a creature so fair, so lovely, so beautiful. It is impossible. The laws of nature and physical science tell you that my interpretation is correct; you shall not die. I can tell you by my own experience as an angel that you shall be as gods, knowing good and evil.” (“Apoc. Sketches,” p. 294.) Again, according to Dr. Cumming, Abel had so clear an idea of the Incarnation and Atonement, that when he offered his sacrifice “he must have said, ‘I feel myself a guilty sinner, and that in myself I cannot meet thee alive; I lay on thine altar this victim, and I shed its blood as my testimony that mine should be shed; and I look for forgiveness and undeserved mercy through him who is to bruise the serpent’s head, and whose atonement this typifies.'” (“Occas. Disc.” vol. i. p. 23.) Indeed, his productions are essentially ephemeral; he is essentially a journalist, who writes sermons instead of leading articles, who, instead of venting diatribes against her Majesty’s Ministers, directs his power of invective against Cardinal Wiseman and the Puseyites; instead of declaiming on public spirit, perorates on the “glory of God.” We fancy he is called, in the more refined evangelical circles, an “intellectual preacher;” by the plainer sort of Christians, a “flowery preacher;” and we are inclined to think that the more spiritually minded class of believers, who look with greater anxiety for the kingdom of God within them than for the visible advent of Christ in 1864, will be likely to find Dr. Cumming’s declamatory flights and historico-prophetical exercitations as little better than “clouts o’ cauld parritch.”