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England
by
The intellectual domination of England has been as striking as the physical. It is stamped upon all her colonies; it has by no means disappeared in the United States. For more than fifty years after our independence we imported our intellectual food–with the exception of politics, and theology in certain forms–and largely our ethical guidance from England. We read English books, or imitations of the English way of looking at things; we even accepted the English caricatures of our own life as genuine–notably in the case of the so-called typical Yankee. It is only recently that our writers have begun to describe our own life as it is, and that readers begin to feel that our society may be as interesting in print as that English society which they have been all their lives accustomed to read about. The reading-books of children in schools were filled with English essays, stories, English views of life; it was the English heroines over whose woes the girls wept; it was of the English heroes that the boys declaimed. I do not know how much the imagination has to do in shaping the national character, but for half a century English writers, by poems and novels, controlled the imagination of this country. The principal reading then, as now–and perhaps more then than now–was fiction, and nearly all of this England supplied. We took in with it, it will be noticed, not only the romance and gilding of chivalry and legitimacy, such as Scott gives us, but constant instruction in a society of ranks and degrees, orders of nobility and commonalty, a fixed social status, a well-ordered, and often attractive, permanent social inequality, a state of life and relations based upon lingering feudal conditions and prejudices. The background of all English fiction is monarchical; however liberal it may be, it must be projected upon the existing order of things. We have not been examining these foreign social conditions with that simple curiosity which leads us to look into the social life of Russia as it is depicted in Russian novels; we have, on the contrary, absorbed them generation after generation as part of our intellectual development, so that the novels and the other English literature must have had a vast influence in molding our mental character, in shaping our thinking upon the political as well as the social constitution of states.
For a long time the one American counteraction, almost the only, to this English influence was the newspaper, which has always kept alive and diffused a distinctly American spirit–not always lovely or modest, but national. The establishment of periodicals which could afford to pay for fiction written about our society and from the American point of view has had a great effect on our literary emancipation. The wise men whom we elect to make our laws–and who represent us intellectually and morally a good deal better than we sometimes like to admit–have always gone upon the theory, with regard to the reading for the American people, that the chief requisite of it was cheapness, with no regard to its character so far as it is a shaper of notions about government and social life. What educating influence English fiction was having upon American life they have not inquired, so long as it was furnished cheap, and its authors were cheated out of any copyright on it.
At the North, thanks to a free press and periodicals, to a dozen reform agitations, and to the intellectual stir generally accompanying industries and commerce, we have been developing an immense intellectual activity, a portion of which has found expression in fiction, in poetry, in essays, that are instinct with American life and aspiration; so that now for over thirty years, in the field of literature, we have had a vigorous offset to the English intellectual domination of which I spoke. How far this has in the past molded American thought and sentiment, in what degree it should be held responsible for the infidelity in regard to our “American experiment,” I will not undertake to say. The South furnishes a very interesting illustration in this connection. When the civil war broke down the barriers of intellectual non-intercourse behind which the South had ensconced itself, it was found to be in a colonial condition. Its libraries were English libraries, mostly composed of old English literature. Its literary growth stopped with the reign of George III. Its latest news was the Spectator and the Tatler. The social order it covered was that of monarchical England, undisturbed by the fiery philippics of Byron or Shelley or the radicalism of a manufacturing age. Its chivalry was an imitation of the antiquated age of lords and ladies, and tournaments, and buckram courtesies, when men were as touchy to fight, at the lift of an eyelid or the drop of the glove, as Brian de Bois-Guilbert, and as ready for a drinking-bout as Christopher North. The intellectual stir of the North, with its disorganizing radicalism, was rigorously excluded, and with it all the new life pouring out of its presses. The South was tied to a republic, but it was not republican, either in its politics or its social order. It was, in its mental constitution, in its prejudices, in its tastes, exactly what you would expect a people to be, excluded from the circulation of free ideas by its system of slavery, and fed on the English literature of a century ago. I dare say that a majority of its reading public, at any time, would have preferred a monarchical system and a hierarchy of rank.