FullReads

I go out daily and nightly to feed my eyes on the horizon
and the sky, and come to feel the want of this scope as I do
of water for my washing.

What learned I this morning in the woods, the oracular
woods? Wise are they, the ancient nymphs; pleasing, sober,
melancholy truth say those untameable savages, the pines.

He frequently went to Walden Pond of an afternoon and read Goethe or some other great author.

There was an element of mysticism in Emerson’s love of nature as there is in that of all true nature-lovers. None knew better than he that nature is not all birds and flowers. His love of nature was that of the poet and artist, and not that of the scientist or naturalist.

“I tell you I love the peeping of the Hyla in a pond in April, or the evening cry of the whippoorwill, better than all the bellowing of all the Bulls of Bashan, or all the turtles of all Palestine.”

Any personal details about his life which Emerson gives us are always welcome. We learn that his different winter courses of lectures in Boston, usually ten of them, were attended on an average by about five hundred persons, and netted him about five hundred dollars.

When he published a new volume, he was very liberal with presentation copies. Of his first volume of poems, published in 1846, he sent eighty copies to his friends. When “May-Day” was published in 1867, he sent fifty copies to friends; one of them went to Walt Whitman. I saw it the day it came. It was in a white dress (silk, I think); very beautiful. He sent a copy of his first volume of “Nature” to Landor. One would like to know what Landor said in reply. The copy he sent to Carlyle I saw in the Scot’s library, in Cheyne Row, in 1871.

IX

Emerson was so drawn to the racy and original that it seems as if original sin had a certain fascination for him. The austere, the Puritanical Emerson, the heir of eight generations of clergy-men, the man who did not like to have Frederika Bremer play the piano in his house on Sunday, seems at times to covet the “swear-words” of the common people. They itch at his ears, they have flavor and reality. He sometimes records them in his Journal; for example, this remark of the Canadian wood-chopper who cut wood for his neighbor–he preferred to work by the job rather than by the day–the days were “so damned long!”

The mob, Emerson says, is always interesting: “A blacksmith, a truckman, a farmer, we follow into the bar-room and watch with eagerness what they shall say.” “Cannot the stinging dialect of the sailor be domesticated?” “My page about Consistency would be better written, ‘Damn Consistency.'” But try to fancy Emerson swearing like the men on the street! Once only he swore a sacred oath, and that he himself records: it was called out by the famous, and infamous, Fugitive Slave Law which made every Northern man hound and huntsman for the Southern slave-driver. “This filthy enactment,” he says, “was made in the Nineteenth Century by men who could read and write. I will not obey it, by God!”

Evidently the best thing the laboring people had to offer Emerson was their racy and characteristic speech. When one of his former neighbors said of an eclipse of the sun that it looked as if a “nigger” was poking his head into the sun, Emerson recorded it in his Journal. His son reports that Emerson enjoyed the talk of the stable-men and used to tell their anecdotes and boasts of their horses when he came home; for example, “In the stable you’d take him for a slouch, but lead him to the door, and when he lifts up his eyes, and looks abroad,–by thunder! you’d think the sky was all horse.” Such surprises and exaggerations always attracted him, unless they took a turn that made him laugh. He loved wit with the laugh taken out of it. The genial smile and not uproarious laughter suited his mood best.