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PAGE 8

Dress, Or Who Makes The Fashions
by [?]

“It is this heroic element in man and woman that makes self-sacrifice an ennobling and purifying ordeal in any religious profession. The man really is taken into a higher region of his own nature, and finds a pleasure in the exercise of higher faculties which he did not suppose himself to possess. Whatever sacrifice is supposed to be duty, whether the supposition be really correct or not, has in it an ennobling and purifying power; and thus the eras of conversion from one form of the Christian religion to another are often marked with a real and permanent exaltation of the whole character. But it does not follow that certain religious beliefs and ordinances are in themselves just, because they thus touch the great heroic master-chord of the human soul. To wear sackcloth and sleep on a plank may have been of use to many souls, as symbolizing the awakening of this higher nature; but, still, the religion of the New Testament is plainly one which calls to no such outward and evident sacrifices.

“It was John the Baptist, and not the Messiah, who dwelt in the wilderness and wore garments of camel’s hair; and Jesus was commented on, not for his asceticism, but for his cheerful, social acceptance of the average innocent wants and enjoyments of humanity. ‘The Son of man came eating and drinking.’ The great, and never ceasing, and utter self-sacrifice of his life was not signified by any peculiarity of costume, or language, or manner; it showed itself only as it unconsciously welled up in all his words and actions, in his estimates of life, in all that marked him out as a being of a higher and holier sphere.”

“Then you do not believe in influencing this subject of dress by religious persons’ adopting any particular laws of costume?” said Pheasant.

“I do not see it to be possible,” said I, “considering how society is made up. There are such differences of taste and character,–people move in such different spheres, are influenced by such different circumstances,–that all we can do is to lay down certain great principles, and leave it to every one to apply them according to individual needs.”

“But what are these principles? There is the grand inquiry.”

“Well,” said I, “let us feel our way. In the first place, then, we are all agreed in one starting-point,–that beauty is not to be considered as a bad thing,–that the love of ornament in our outward and physical life is not a sinful or a dangerous feeling, and only leads to evil, as all other innocent things do, by being used in wrong ways. So far we are all agreed, are we not?”

“Certainly,” said all the voices.

“It is, therefore, neither wicked nor silly nor weak-minded to like beautiful dress, and all that goes to make it up. Jewelry, diamonds, pearls, emeralds, rubies, and all sorts of pretty things that are made of them, are as lawful and innocent objects of admiration and desire, as flowers or birds or butterflies, or the tints of evening skies. Gems, in fact, are a species of mineral flower; they are the blossoms of the dark, hard mine; and what they want in perfume they make up in durability. The best Christian in the world may, without the least inconsistency, admire them, and say, as a charming, benevolent old Quaker lady once said to me, ‘I do so love to look at beautiful jewelry!’ The love of beautiful dress, in itself, therefore, so far from being in a bad sense worldly, may be the same indication of a refined and poetical nature that is given by the love of flowers and of natural objects.

“In the third place, there is nothing in itself wrong, or unworthy a rational being, in a certain degree of attention to the fashion of society in our costume. It is not wrong to be annoyed at unnecessary departures from the commonly received practices of good society in the matter of the arrangement of our toilet; and it would indicate rather an unamiable want of sympathy with our fellow beings, if we were not willing, for the most part, to follow what they indicate to be agreeable in the disposition of our outward affairs.”