FullReads

Well, the experience is a member of diverse processes that can be followed away from it along entirely different lines. The one self-identical thing has so many relations to the rest of experience that you can take it in disparate systems of association, and treat it as belonging with opposite contexts.[9] In one of these contexts it is your ‘field of consciousness’; in another it is ‘the room in which you sit,’ and it enters both contexts in its wholeness, giving no pretext for being said to attach itself to consciousness by one of its parts or aspects, and to outer reality by another. What are the two processes, now, into which the room-experience simultaneously enters in this way?

One of them is the reader’s personal biography, the other is the history of the house of which the room is part. The presentation, the experience, the that in short (for until we have decided what it is it must be a mere that ) is the last term of a train of sensations, emotions, decisions, movements, classifications, expectations, etc., ending in the present, and the first term of a series of similar ‘inner’ operations extending into the future, on the reader’s part. On the other hand, the very same that is the terminus ad quem of a lot of previous physical operations, carpentering, papering, furnishing, warming, etc., and the terminus a quo of a lot of future ones, in which it will be concerned when undergoing the destiny of a physical room. The physical and the mental operations form curiously incompatible groups. As a room, the experience has occupied that spot and had that environment for thirty years. As your field of consciousness it may never have existed until now. As a room, attention will go on to discover endless new details in it. As your mental state merely, few new ones will emerge under attention’s eye. As a room, it will take an earthquake, or a gang of men, and in any case a certain amount of time, to destroy it. As your subjective state, the closing of your eyes, or any instantaneous play of your fancy will suffice. In the real world, fire will consume it. In your mind, you can let fire play over it without effect. As an outer object, you must pay so much a month to inhabit it. As an inner content, you may occupy it for any length of time rent-free. If, in short, you follow it in the mental direction, taking it along with events of personal biography solely, all sorts of things are true of it which are false, and false of it which are true if you treat it as a real thing experienced, follow it in the physical direction, and relate it to associates in the outer world.

III

So far, all seems plain sailing, but my thesis will probably grow less plausible to the reader when I pass from percepts to concepts, or from the case of things presented to that of things remote. I believe, nevertheless, that here also the same law holds good. If we take conceptual manifolds, or memories, or fancies, they also are in their first intention mere bits of pure experience, and, as such, are single thats which act in one context as objects, and in another context figure as mental states. By taking them in their first intention, I mean ignoring their relation to possible perceptual experiences with which they may be connected, which they may lead to and terminate in, and which then they may be supposed to ‘represent.’ Taking them in this way first, we confine the problem to a world merely ‘thought-of’ and not directly felt or seen.[10] This world, just like the world of percepts, comes to us at first as a chaos of experiences, but lines of order soon get traced. We find that any bit of it which we may cut out as an example is connected with distinct groups of associates, just as our perceptual experiences are, that these associates link themselves with it by different relations,[11] and that one forms the inner history of a person, while the other acts as an impersonal ‘objective’ world, either spatial and temporal, or else merely logical or mathematical, or otherwise ‘ideal.’