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Had it been their meeting-place long ago? Had he been wont to tell her, gazing at her with lover’s eyes, how like she was to the statue? The French sculptor has not to consider Mrs. Grundy. Maybe, the lady, raising her eyes, had been confused; perhaps for a moment angry–some little milliner or governess, one supposes. In France the jeune fille of good family does not meet her lover unattended. What had happened? Or was it but the vagrant fancy of a middle-aged bourgeois seeking in imagination the romance that reality so rarely gives us, weaving his love dream round his changeless statue?

In one of Ibsen’s bitter comedies the lovers agree to part while they are still young, never to see each other in the flesh again. Into the future each will bear away the image of the other, godlike, radiant with the glory of youth and love; each will cherish the memory of a loved one who shall be beautiful always. That their parting may not appear such wild nonsense as at first it strikes us, Ibsen shows us other lovers who have married in the orthodox fashion. She was all that a mistress should be. They speak of her as they first knew her fifteen years ago, when every man was at her feet. He then was a young student, burning with fine ideals, with enthusiasm for all the humanities.

They enter.

What did you expect? Fifteen years have passed–fifteen years of struggle with the grim realities. He is fat and bald. Eleven children have to be provided for. High ideals will not even pay the bootmaker. To exist you have to fight for mean ends with mean weapons. And the sweet girl heroine! Now the worried mother of eleven brats! One rings down the curtain amid Satanic laughter.

That is why, for one reason among so many, I love this mystic morning light. It has a strange power of revealing the beauty that is hidden from us by the coarser beams of the full day. These worn men and women, grown so foolish looking, so unromantic; these artisans and petty clerks plodding to their monotonous day’s work; these dull-eyed women of the people on their way to market to haggle over sous, to argue and contend over paltry handfuls of food. In this magic morning light the disguising body becomes transparent. They have grown beautiful, not ugly, with the years of toil and hardship; these lives, lived so patiently, are consecrated to the service of the world. Joy, hope, pleasure–they have done with all such, life for them is over. Yet they labour, ceaselessly, uncomplainingly. It is for the children.

One morning, near Brussels, I encountered a cart of faggots, drawn by a hound so lean that stroking him might have hurt a dainty hand. I was shocked–angry, till I noticed his fellow beast of burden pushing the cart from behind. Such a scarecrow of an old woman! There was little to choose between them. I walked with them a little way. She lived near Waterloo. All day she gathered wood in the great forest, and starting at three o’clock each morning, the two lean creatures between them dragged the cart nine miles to Brussels, returning when they had sold their load. With luck she might reckon on a couple of francs. I asked her if she could not find something else to do.

Yes, it was possible, but for the little one, her grandchild. Folks will not employ old women burdened with grandchildren.

You fair, dainty ladies, who would never know it was morning if somebody did not enter to pull up the blind and tell you so! You do well not to venture out in this magic morning light. You would look so plain–almost ugly, by the side of these beautiful women.