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PAGE 3

Culture And War
by [?]

But what with the tobacco and the beer, and the scholarship and his university education, you might naturally infer that he must be a kid-glove soldier, and a little too nice and dreamy and speculative for the actual work of life. But you never were more mistaken. He is leaving behind him some of the finest manufactories and best-tilled fields in the world. Moreover, he is an admirable painter and, as all the world knows, an almost unequalled musician; or if you want proof of his genius for business, look at the speed and regularity with which he and his comrades have transported themselves to the Rhine, and see the perfection of all the arrangements of his regiment. And now, if you think his “bad habits,” his daily violations of your notions of propriety, have diminished his power of meeting death calmly–that noblest of products of culture–you have only to follow him up as far as Sedan and see whether he ever flinches; whether you have ever read or heard of a soldier out of whom more marching and fighting and dying, and not flighty, boisterous dying either, could be got.

Now, we can very well understand why people should be unwilling to see the Prussian military system spread into other countries, or even be preserved where it is. It is a pitiful thing to have the men of a whole civilized nation spending so much time out of the flower of their years learning to kill other men; and the lesson to be drawn from the recent Prussian successes is assuredly not that every country ought to have an army like the Prussian army, though we confess that, if great armies must be kept up, there is no better model than the Prussian. The lesson is that, whether you want him for war or peace, there is no way in which you can get so much out of a man as by training him, and training him not in pieces but the whole of him; and that the trained men, other things being equal, are pretty sure in the long run to be the masters of the world.