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A second thing to be said in palliation of such plagiarisms, real or fancied, intentional or not intentional, is this–that at least Coleridge never insulted or derided those upon whose rights he is supposed to have meditated an aggression.

Coleridge has now been dead for more than fifteen years,[9] and he lived through a painful life of sixty-three years; seventy-eight years it is since he first drew that troubled air of earth, from which with such bitter loathing he rose as a phoenix might be supposed to rise, that, in retribution of some treason to his immortal race, had been compelled for a secular period to banquet on carrion with ghouls, or on the spoils of vivisection with vampires. Not with less horror of retrospect than such a phoenix did Coleridge, when ready to wing his flight from earth, survey the chambers of suffering through which he had trod his way from childhood to gray hairs. Perhaps amongst all the populous nations of the grave not one was ever laid there, through whose bones so mighty a thrill of shuddering anguish would creep, if by an audible whisper the sound of earth and the memories of earth could reach his coffin. Yet why? Was he not himself a child of earth? Yes, and by too strong a link: that it was which shattered him. For also he was a child of Paradise, and in the struggle between two natures he could not support himself erect. That dreadful conflict it was which supplanted his footing. Had he been gross, fleshly, sensual, being so framed for voluptuous enjoyment, he would have sunk away silently (as millions sink) through carnal wrecks into carnal ruin. He would have been mentioned oftentimes with a sigh of regret as that youthful author who had enriched the literature of his country with two exquisite poems, ‘Love’ and the ‘Ancient Mariner,’ but who for some unknown reason had not fulfilled his apparent mission on earth. As it was, being most genial and by his physical impulses most luxurious; yet, on the other hand, by fiery aspirations of intellect and of spiritual heart being coerced as if through torments of magical spells into rising heavenwards for ever, into eternal commerce with the grander regions of his own nature, he found this strife too much for his daily peace, too imperfect was the ally which he found in his will; treachery there was in his own nature, and almost by a necessity he yielded to the dark temptations of opium. That ‘graspless hand,’ from which, as already in one of his early poems (November, 1794) he had complained–

‘Drop friendship’s priceless pearls as hour-glass sands,’

was made much more graspless, and in this way the very graces of his moral nature ministered eventually the heaviest of his curses. Most unworldly he was, most unmercenary, and (as somebody has remarked) even to a disease, and, in such a degree as if an organ had been forgotten by Nature in his composition, disregardful of self. But even in these qualities lay the baits for his worldly ruin, which subsequently caused or allowed so much of his misery. Partly from the introversion of his mind, and its habitual sleep of reverie in relation to all external interests, partly from his defect in all habits of prudential forecasting, resting his head always on the pillow of the present–he had been carried rapidly past all openings that offered towards the creation of a fortune before he even heard of them, and he first awoke to the knowledge that such openings had ever existed when he looked back upon them from a distance, and found them already irrecoverable for ever.

Such a case as this, as soon as it became known that the case stood connected with so much power of intellect and so much of various erudition, was the very ideal case that challenges aid from the public purse. Mrs. Coleridge has feelingly noticed the philosophic fact. It was the case of a man lame in the faculties which apply to the architecture of a fortune, but lame through the very excess in some other faculties that qualified him for a public teacher, or (which is even more requisite) for a public stimulator of powers else dormant.