**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 12

Coleridge And Opium-Eating
by [?]

It is urged, however, that, even on his philosophic speculations, opium operated unfavorably in one respect, by often causing him to leave them unfinished. This is true. Whenever Coleridge (being highly charged, or saturated, with opium) had written with distempered vigor upon any question, there occurred soon after a recoil of intense disgust, not from his own paper only, but even from the subject. All opium-eaters are tainted with the infirmity of leaving works unfinished, and suffering reactions of disgust. But Coleridge taxed himself with that infirmity in verse before he could at all have commenced opium-eating. Besides, it is too much assumed by Coleridge and by his biographer, that to leave off opium was of course to regain juvenile health. But all opium-eaters make the mistake of supposing every pain or irritation which they suffer to be the product of opium. Whereas a wise man will say, suppose you do leave off opium, that will not deliver you from the load of years (say sixty-three) which you carry on your back. Charles Lamb, another man of true genius, and another head belonging to the Blackwood Gallery, made that mistake in his Confessions of a Drunkard. ‘I looked back,’ says he, ‘to the time when always, on waking in the morning, I had a song rising to my lips.’ At present, it seems, being a drunkard, he has no such song. Ay, dear Lamb, but note this, that the drunkard was fifty-six years old, the songster was twenty-three. Take twenty-three from fifty-six, and we have some reason to believe that thirty-three will remain; which period of thirty-three years is a pretty good reason for not singing in the morning, even if brandy has been out of the question.

It is singular, as respects Coleridge, that Mr. Gillman never says one word upon the event of the great Highgate experiment for leaving off laudanum, though Coleridge came to Mr. Gillman’s for no other purpose; and in a week, this vast creation of new earth, sea, and all that in them is, was to have been accomplished. We rayther think, as Bayley junior observes, that the explosion must have hung fire. But that is a trifle. We have another pleasing hypothesis on the subject. Mr. Wordsworth, in his exquisite lines written on a fly-leaf of his own Castle of Indolence, having described Coleridge as ‘a noticeable man with large grey eyes,’ goes on to say, ‘He’ (viz., Coleridge) ‘did that other man entice’ to view his imagery. Now we are sadly afraid that ‘the noticeable man with large grey eyes’ did entice ‘that other man,’ viz., Gillman, to commence opium-eating. This is droll; and it makes us laugh horribly. Gillman should have reformed him; and lo! he corrupts Gillman. S. T. Coleridge visited Highgate by way of being converted from the heresy of opium; and the issue is–that, in two months’ time, various grave men, amongst whom our friend Gillman marches first in great pomp, are found to have faces shining and glorious as that of AEsculapius; a fact of which we have already explained the secret meaning. And scandal says (but then what will not scandal say?) that a hogshead of opium goes up daily through Highgate tunnel. Surely one corroboration of our hypothesis may be found in the fact, that Vol. I. of Gillman’s Coleridge is for ever to stand unpropped by Vol. II. For we have already observed, that opium- eaters, though good fellows upon the whole, never finish anything.

What then? A man has a right never to finish anything. Certainly he has; and by Magna Charta. But he has no right, by Magna Charta or by Parva Charta, to slander decent men, like ourselves and our friend the author of the Opium Confessions. Here it is that our complaint arises against Mr. Gillman. If he has taken to opium-eating, can we help that? If his face shines, must our faces be blackened? He has very improperly published some intemperate passages from Coleridge’s letters, which ought to have been considered confidential, unless Coleridge had left them for publication, charging upon the author of the Opium Confessions a reckless disregard of the temptations which, in that work, he was scattering abroad amongst men. Now this author is connected with ourselves, and we cannot neglect his defence, unless in the case that he undertakes it himself.