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It makes the sky and the hills sublime, and the silent song of the stars is it. It is the beatitude of man. It makes him illimitable. When he says ‘I ought’; when love warns him; when he chooses, warned from on high, the good and great deed; then, deep melodies wander through his soul from supreme wisdom. Then he can worship, and be enlarged by his worship; for he can never go behind this sentiment. All the expressions of this sentiment are sacred and permanent in proportion to their purity. [They] affect us more than all other compositions. The sentences of the olden time, which ejaculate this piety, are still fresh and fragrant. And the unique impression of Jesus upon mankind, whose name is not so much written as ploughed into the history of this world, is proof of the subtle virtue of this infusion.”[1]

[10] Miscellanies, 1868, p. 120 (abridged).

Such is the Emersonian religion. The universe has a divine soul of order, which soul is moral, being also the soul within the soul of man. But whether this soul of the universe be a mere quality like the eye’s brilliancy or the skin’s softness, or whether it be a self-conscious life like the eye’s seeing or the skin’s feeling, is a decision that never unmistakably appears in Emerson’s pages. It quivers on the boundary of these things, sometimes leaning one way sometimes the other, to suit the literary rather than the philosophic need. Whatever it is, though, it is active. As much as if it were a God, we can trust it to protect all ideal interests and keep the world’s balance straight. The sentences in which Emerson, to the very end, gave utterance to this faith are as fine as anything in literature: “If you love and serve men, you cannot by any hiding or stratagem escape the remuneration. Secret retributions are always restoring the level, when disturbed, of the divine justice. It is impossible to tilt the beam. All the tyrants and proprietors and monopolists of the world in vain set their shoulders to heave the bar. Settles forevermore the ponderous equator to its line, and man and mote, and star and sun, must range to it, or be pulverized by the recoil.”[2]

[2] Lectures and Biographical Sketches, 1868, p. 186.

Now it would be too absurd to say that the inner experiences that underlie such expressions of faith as this and impel the writer to their utterance are quite unworthy to be called religious experiences. The sort of appeal that Emersonian optimism, on the one hand, and Buddhistic pessimism, on the other, make to the individual and the son of response which he makes to them in his life are in fact indistinguishable from, and in many respects identical with, the best Christian appeal and response. We must therefore, from the experiential point of view, call these godless or quasi-godless creeds “religions”; and accordingly when in our definition of religion we speak of the individual’s relation to “what he considers the divine,” we must interpret the term “divine” very broadly, as denoting any object that is god- LIKE, whether it be a concrete deity or not. But the term “godlike,” if thus treated as a floating general quality, becomes exceedingly vague, for many gods have flourished in religious history, and their attributes have been discrepant enough. What then is that essentially godlike quality–be it embodied in a concrete deity or not–our relation to which determines our character as religious men? It will repay us to seek some answer to this question before we proceed farther.

For one thing, gods are conceived to be first things in the way of being and power. They overarch and envelop, and from them there is no escape. What relates to them is the first and last word in the way of truth. Whatever then were most primal and enveloping and deeply true might at this rate be treated as godlike, and a man’s religion might thus be identified with his attitude, whatever it might be, toward what he felt to be the primal truth.