PAGE 2
Calve At Cabrieres
by
With the vivacity peculiar to her character, my companion then whipped up her cobs and turned the conversation into gayer channels. Five minutes later we clattered over a drawbridge and drew up in a roomy courtyard, half blinding sunlight and half blue shadow, where a score of girls were occupied with books and sewing.
The luncheon bell was ringing as we ascended the terrace steps. After a hurried five minutes for brushing and washing, we took our places at a long table set in the cool stone hall, guests stopping in the ch�teau occupying one end around the chatelaine, the convalescents filling the other seats.
Those who have only seen the capricious diva on the stage or in Parisian salons can form little idea of the proprietress of Cabrières. No shade of coquetry blurs the clear picture of her home life. The capped and saboted peasant women who waited on us were not more simple in their ways. Several times during the meal she left her seat to inquire after the comfort of some invalid girl or inspect the cooking in the adjacent kitchen. These wanderings were not, however, allowed to disturb the conversation, which flowed on after the mellow French fashion, enlivened by much wit and gay badinage. One of our hostess’s anecdotes at her own expense was especially amusing.
“When in Venice,” she told us, “most prima donnas are carried to and from the opera in sedan chairs to avoid the risk of colds from the draughty gondolas. The last night of my initial season there, I was informed, as the curtain fell, that a number of Venetian nobles were planning to carry me in triumph to the hotel. When I descended from my dressing-room the courtyard of the theatre was filled with men in dress clothes, bearing lanterns, who caught up the chair as soon as I was seated and carried it noisily across the city to the hotel. Much moved by this unusual honor, I mounted to the balcony of my room, from which elevation I bowed my thanks, and threw all the flowers at hand to my escort.
“Next morning the hotel proprietor appeared with my coffee, and after hesitating a moment, remarked: ‘Well, we made a success of it last night. It has been telegraphed to all the capitals of Europe! I hope you will not think a thousand francs too much, considering the advertisement!’ In blank amazement, I asked what he meant. ‘I mean the triumphal progress,’ he answered. ‘I thought you understood! We always organize one for the “stars” who visit Venice. The men who carried your chair last night were the waiters from the hotels. We hire them on account of their dress clothes’! Think of the disillusion,” added Calvé, laughing, “and my disgust, when I thought of myself naïvely throwing kisses and flowers to a group of Swiss gar�ons at fifteen francs a head. There was nothing to do, however, but pay the bill and swallow my chagrin!”
How many pretty women do you suppose would tell such a joke upon themselves? Another story she told us is characteristic of her peasant neighbors.
“When I came back here after my first season in St. Petersburg and London the curé requested me to sing at our local fête. I gladly consented, and, standing by his side on the steps of the Mairie, gave the great aria from the Huguenots in my best manner. To my astonishment the performance was received in complete silence. ‘Poor Calvé,’ I heard an old friend of my mother’s murmur. ‘Her voice used to be so nice, and now it’s all gone!’ Taking in the situation at a glance, I threw my voice well up into my nose and started off on a well-known provincial song, in the shrill falsetto of our peasant women. The effect was instantaneous! Long before the end the performance was drowned in thunders of applause. Which proves that to be popular a singer must adapt herself to her audience.”