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Or bring one home, and study it closely at your leisure, by the fireside. It is a type, not from any Oxford font, not in the Basque nor the arrow-headed character, not found on the Rosetta Stone, but destined to be copied in sculpture one day, if they ever get to whittling stone here. What a wild and pleasing outline, a combination of graceful curves and angles! The eye rests with equal delight on what is not leaf and on what is leaf,–on the broad, free, open sinuses, and on the long, sharp, bristle-pointed lobes. A simple oval outline would include it all, if you connected the points of the leaf; but how much richer is it than that, with its half-dozen deep scollops, in which the eye and thought of the beholder are embayed! If I were a drawing-master, I would set my pupils to copying these leaves, that they might learn to draw firmly and gracefully.

Regarded as water, it is like a pond with half a dozen broad rounded promontories extending nearly to its middle, half from each side, while its watery bays extend far inland, like sharp friths, at each of whose heads several fine streams empty in,–almost a leafy archipelago.

But it oftener suggests land, and, as Dionysius and Pliny compared the form of the Morea to that of the leaf of the Oriental Plane-tree, so this leaf reminds me of some fair wild island in the ocean, whose extensive coast, alternate rounded bays with smooth strands, and sharp-pointed rocky capes, mark it as fitted for the habitation of man, and destined to become a centre of civilization at last. To the sailor’s eye, it is a much-indented shore. Is it not, in fact, a shore to the aerial ocean, on which the windy surf beats? At sight of this leaf we are all mariners,–if not vikings, buccaneers, and filibusters. Both our love of repose and our spirit of adventure are addressed. In our most casual glance, perchance, we think, that, if we succeed in doubling those sharp capes, we shall find deep, smooth, and secure havens in the ample bays. How different from the White-Oak leaf, with its rounded headlands, on which no lighthouse need be placed! That is an England, with its long civil history, that may be read. This is some still unsettled New-found Island or Celebes. Shall we go and be rajahs there?

By the twenty-sixth of October the large Scarlet Oaks are in their prime, when other Oaks are usually withered. They have been kindling their fires for a week past, and now generally burst into a blaze. This alone of our indigenous deciduous trees (excepting the Dogwood, of which I do not know half a dozen, and they are but large bushes) is now in its glory. The two Aspens and the Sugar-Maple come nearest to it in date, but they have lost the greater part of their leaves. Of evergreens, only the Pitch-Pine is still commonly bright.

But it requires a particular alertness, if not devotion to these phenomena, to appreciate the wide-spread, but late and unexpected glory of the Scarlet Oaks. I do not speak here of the small trees and shrubs, which are commonly observed, and which are now withered, but of the large trees. Most go in and shut their doors, thinking that bleak and colorless November has already come, when some of the most brilliant and memorable colors are not yet lit.

This very perfect and vigorous one, about forty feet high, standing in an open pasture, which was quite glossy green on the twelfth, is now, the twenty-sixth, completely changed to bright dark scarlet,–every leaf, between you and the sun, as if it had been dipped into a scarlet dye. The whole tree is much like a heart in form, as well as color. Was not this worth waiting for? Little did you think, ten days ago, that that cold green tree would assume such color as this. Its leaves are still firmly attached, while those of other trees are falling around it. It seems to say,–“I am the last to blush, but I blush deeper than any of ye. I bring up the rear in my red coat. We Scarlet ones, alone of Oaks, have not given up the fight.”