PAGE 6
Another Word On Thoreau
by
I have occasional visits in the long winter evenings, when the snow falls fast and the wind howls in the wood, from an old settler and original proprietor, who is reported to have dug Walden Pond, and stoned it, and fringed it with pine woods; who tells me stories of old time and of new eternity; and between us we manage to pass a cheerful evening with social mirth and pleasant views of things, even without apples or cider,–a most wise and humorous friend, whom I love much, who keeps himself more secret than ever did Goffe or Whalley; and though he is thought to be dead, none can show where he is buried. An elderly dame, too, dwells in my neighborhood, invisible to most persons, in whose odorous herb garden I love to stroll sometimes, gathering simples and listening to her fables; for she has a genius of unequalled fertility, and her memory runs back farther than mythology, and she can tell me the original of every fable, and on what fact every one is founded, for the incidents occurred when she was young. A ruddy and lusty old dame, who delights in all weathers and seasons, and is likely to outlive all her children yet.
Thoreau taxed himself to find words and images strong enough to express his aversion to the lives of the men who were “engaged” in the various industrial fields about him. Everywhere in shops and offices and fields it appeared to him that his neighbors were doing penance in a thousand remarkable ways:
What I have heard of Bramins sitting exposed to four fires and looking in the face of the sun; or hanging suspended, with their heads downward, over flames; or looking at the heavens over their shoulders “until it becomes impossible for them to resume their natural position, while from the twist of the neck nothing but liquids can pass into the stomach”; or dwelling, chained for life, at the foot of a tree; or measuring with their bodies, like caterpillars, the breadth of vast empires; or standing on one leg on the tops of pillars,–even these forms of conscious penance are hardly more incredible and astonishing than the scenes which I daily witness…. I see young men, my townsmen, whose misfortune it is to have inherited farms, houses, barns, cattle, and farming tools; for these are more easily acquired than got rid of.
Surely this disciple of the Gospel of the Wild must have disappointed his friends. It was this audacious gift which Thoreau had for making worldly possessions seem ignoble, that gives the tang to many pages of his writings.
Thoreau became a great traveler–in Concord, as he says–and made Walden Pond famous in our literature by spending two or more years in the woods upon its shore, and writing an account of his sojourn there which has become a nature classic. He was a poet-naturalist, as his friend Channing aptly called him, of untiring industry, and the country in a radius of seven or eight miles about Concord was threaded by him in all seasons as probably no other section of New England was ever threaded and scrutinized by any one man. Walking in the fields and woods, and recording what he saw and heard and thought in his Journal, became the business of his life. He went over the same ground endlessly, but always brought back new facts, or new impressions, because he was so sensitive to all the changing features of the day and the season in the landscape about him.
Once he extended his walking as far as Quebec, Canada, and once he took in the whole of Cape Cod; three or four times he made excursions to the Maine woods, the result of which gave the name to one of his most characteristic volumes; but as habitually as the coming of the day was he a walker about Concord, in all seasons, primarily for companionship with untamed Nature, and secondarily as a gleaner in the fields of natural history.