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PAGE 9

Alexander Pope
by [?]

A man, therefore, happier than Pope in his domestic relations cannot easily have lived. It is true these relations were circumscribed; had they been wider, they could not have been so happy. But Pope was equally fortunate in his social relations. What, indeed, most of all surprises us, is the courteous, flattering, and even brilliant reception which Pope found from his earliest boyhood amongst the most accomplished men of the world. Wits, courtiers, statesmen, grandees the most dignified, and men of fashion the most brilliant, all alike treated him not only with pointed kindness, but with a respect that seemed to acknowledge him as their intellectual superior. Without rank, high birth, fortune, without even a literary name, and in defiance of a deformed person, Pope, whilst yet only sixteen years of age, was caressed, and even honored; and all this with no one recommendation but simply the knowledge of his dedication to letters, and the premature expectations which he raised of future excellence. Sir William Trumbull, a veteran statesman, who had held the highest stations, both diplomatic and ministerial, made him his daily companion. Wycherley, the old roue of the town, a second-rate wit, but not the less jealous on that account, showed the utmost deference to one whom, as a man of fashion, he must have regarded with contempt, and between whom and himself there were nearly “fifty good years of fair and foul weather.” Cromwell, [Endnote: 8] a fox-hunting country gentleman, but uniting with that character the pretensions of a wit, and affecting also the reputation of a rake, cultivated his regard with zeal and conscious inferiority. Nay, which never in any other instance happened to the most fortunate poet, his very inaugural essays in verse were treated, not as prelusive efforts of auspicious promise, but as finished works of art, entitled to take their station amongst the literature of the land; and in the most worthless of all his poems, Walsh, an established authority, and whom Dryden pronounced the ablest critic of the age, found proofs of equality with Virgil.

The literary correspondence with these gentlemen is interesting, as a model of what once passed for fine letter-writing. Every nerve was strained to outdo each other in carving all thoughts into a fillagree work of rhetoric; and the amoebaean contest was like that between two village cocks from neighboring farms endeavoring to overcrow each other. To us, in this age of purer and more masculine taste, the whole scene takes the ludicrous air of old and young fops dancing a minuet with each other, practising the most elaborate grimaces, sinkings and risings the most awful, bows the most overshadowing, until plain walking, running, or the motions of natural dancing, are thought too insipid for endurance. In this instance the taste had perhaps really been borrowed from France, though often enough we impute to France what is the native growth of all minds placed in similar circumstances. Madame de Sevigne’s Letters were really models of grace. But Balzac, whose letters, however, are not without interest, had in some measure formed himself upon the truly magnificent rhetoric of Pliny and Seneca. Pope and his correspondents, meantime, degraded the dignity of rhetoric, by applying it to trivial commonplaces of compliment; whereas Seneca applied it to the grandest themes which life or contemplation can supply. Lady Mary Wortley Montagu, on first coming amongst the wits of the day, naturally adopted their style. She found this sort of euphuism established; and it was not for a very young woman to oppose it. But her masculine understanding and powerful good sense, shaken free, besides, from all local follies by travels and extensive commerce with the world, first threw off these glittering chains of affectation.

Dean Swift, by the very constitution of his mind, plain, sinewy, nervous, and courting only the strength that allies itself with homeliness, was always indisposed to this mode of correspondence. And, finally, Pope himself, as his earlier friends died off, and his own understanding acquired strength, laid it aside altogether. One reason doubtless was, that he found it too fatiguing; since in this way of letter-writing he was put to as much expense of wit in amusing an individual correspondent, as would for an equal extent have sufficed to delight the whole world. A funambulist may harass his muscles and risk his neck on the tight-rope, but hardly to entertain his own family. Pope, however, had another reason for declining this showy system of fencing; and strange it is that he had not discovered this reason from the very first. As life advanced, it happened unavoidably that real business advanced; the careless condition of youth prompted no topics, or at least prescribed none, but such as were agreeable to the taste, and allowed of an ornamental coloring. But when downright business occurred, exchequer bills to be sold, meetings to be arranged, negotiations confided, difficulties to be explained, here and there by possibility a jest or two might be scattered, a witty allusion thrown in, or a sentiment interwoven; but for the main body of the case, it neither could receive any ornamental treatment, nor if, by any effort of ingenuity, it had, could it look otherwise than silly and unreasonable: