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PAGE 2

A Wilderness Romance
by [?]

There is not much of romantic interest in the Adirondacks. Out of the books of daring travelers, nothing. I do not know that the Keene Valley has any history. The mountains always stood here, and the Au Sable, flowing now in shallows and now in rippling reaches over the sands and pebbles, has for ages filled the air with continuous and soothing sounds. Before the Vermonters broke into it some three-quarters of a century ago, and made meadows of its bottoms and sugar-camps of its fringing woods, I suppose the red Indian lived here in his usual discomfort, and was as restless as his successors, the summer boarders. But the streams were full of trout then, and the moose and the elk left their broad tracks on the sands of the river. But of the Indian there is no trace. There is a mound in the valley, much like a Tel in the country of Bashan beyond the Jordan, that may have been built by some pre-historic race, and may contain treasure and the seated figure of a preserved chieftain on his slow way to Paradise. What the gentle and accomplished race of the Mound-Builders should want in this savage region where the frost kills the early potatoes and stunts the scanty oats, I do not know. I have seen no trace of them, except this Tel, and one other slight relic, which came to light last summer, and is not enough to found the history of a race upon.

Some workingmen, getting stone from the hillside on one of the little plateaus, for a house-cellar, discovered, partly embedded, a piece of pottery unique in this region. With the unerring instinct of workmen in regard to antiquities, they thrust a crowbar through it, and broke the bowl into several pieces. The joint fragments, however, give us the form of the dish. It is a bowl about nine inches high and eight inches across, made of red clay, baked but not glazed. The bottom is round, the top flares into four comers, and the rim is rudely but rather artistically ornamented with criss-cross scratches made when the clay was soft. The vessel is made of clay not found about here, and it is one that the Indians formerly living here could not form. Was it brought here by roving Indians who may have made an expedition to the Ohio; was it passed from tribe to tribe; or did it belong to a race that occupied the country before the Indian, and who have left traces of their civilized skill in pottery scattered all over the continent?

If I could establish the fact that this jar was made by a prehistoric race, we should then have four generations in this lovely valley:-the amiable Pre-Historic people (whose gentle descendants were probably killed by the Spaniards in the West Indies); the Red Indians; the Keene Flaters (from Vermont); and the Summer Boarders, to say nothing of the various races of animals who have been unable to live here since the advent of the Summer Boarders, the valley being not productive enough to sustain both. This last incursion has been more destructive to the noble serenity of the forest than all the preceding.

But we are wandering from Hunter’s Pass. The western walls of it are formed by the precipices of Nipple Top, not so striking nor so bare as the great slides of Dix which glisten in the sun like silver, but rough and repelling, and consequently alluring. I have a great desire to scale them. I have always had an unreasonable wish to explore the rough summit of this crabbed hill, which is too broken and jagged for pleasure and not high enough for glory. This desire was stimulated by a legend related by our guide that night in the Mud Pond cabin. The guide had never been through the pass before; although he was familiar with the region, and had ascended Nipple Top in the winter in pursuit of the sable. The story he told doesn’t amount to much, none of the guides’ stories do, faithfully reported, and I should not have believed it if I had not had a good deal of leisure on my hands at the time, and been of a willing mind, and I may say in rather of a starved condition as to any romance in this region.