**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 2

A Scene In Jerusalem
by [?]

Strange it is, in this dark scene, to see the likeness between mother and son, deepening in every line of those faces, as they stand thus thrown out by the dark background of rage and hate, which like a storm cloud lowers around. The same rapt, absorbed, calm intensity of anguish in both mother and son, save only that while he gazes upward towards God, she, with like fervor, gazes on him. What to her is the deriding mob, the coarse taunt, the brutal abuse? Of it all she hears, she feels nothing. She sinks not, faints not, weeps not; her whole being concentrates in the will to suffer by and with him to the last. Other hearts there are that beat for him; others that press into the doomed circle, and own him amid the scorn of thousands. There may you see the clasped hands and upraised eyes of a Magdalen, the pale and steady resolve of John, the weeping company of women who bewailed and lamented him; but none dare press so near, or seem so identical with him in his sufferings, as this mother.

And as we gaze on these two in human form, surrounded by other human forms, how strange the contrast! How is it possible that human features and human lineaments essentially alike, can be wrought into such heaven-wide contrast? MAN is he who stands there, lofty and spotless, in bleeding patience! Men also are those brutal soldiers, alike stupidly ready, at the word of command, to drive the nail through quivering flesh or insensate wood. Men are those scowling priests and infuriate Pharisees. Men, also, the shifting figures of the careless rabble, who shout and curse without knowing why. No visible glory shines round that head; yet how, spite of every defilement cast upon him by the vulgar rabble, seems that form to be glorified! What light is that in those eyes! What mournful beauty in that face! What solemn, mysterious sacredness investing the whole form, constraining from us the exclamation, “Surely this is the Son of God.” Man’s voice is breathing vulgar taunt and jeer: “He saved others; himself he cannot save.” “He trusted in God; let him deliver him if he will have him.” And man’s, also, clear, sweet, unearthly, pierces that stormy mob, saying, “Father, forgive them; they know not what they do.”

But we draw the veil in reverence. It is not ours to picture what the sun refused to shine upon, and earth shook to behold.

Little thought those weeping women, that stricken disciple, that heart-broken mother, how on some future day that cross–emblem to them of deepest infamy–should blaze in the eye of all nations, symbol of triumph and hope, glittering on gorgeous fanes, embroidered on regal banners, associated with all that is revered and powerful on earth. The Roman ensign that waved on that mournful day, symbol of highest earthly power, is a thing mouldered and forgotten; and over all the high places of old Rome, herself stands that mystical cross, no longer speaking of earthly anguish and despair, but of heavenly glory, honor, and immortality.

Theologians have endlessly disputed and philosophized on this great fact of atonement. The Bible tells only that this tragic event was the essential point without which our salvation could never have been secured. But where lay the necessity they do not say. What was that dread strait that either the divine One must thus suffer, or man be lost, who knoweth?

To this question answer a thousand voices, with each a different solution, urged with equal confidence–each solution to its framer as certain and sacred as the dread fact it explains–yet every one, perhaps, unsatisfactory to the deep-questioning soul. The Bible, as it always does, gives on this point not definitions or distinct outlines, but images–images which lose all their glory and beauty if seized by the harsh hands of metaphysical analysis, but inexpressibly affecting to the unlettered human heart, which softens in gazing on their mournful and mysterious beauty. Christ is called our sacrifice, our passover, our atoning high priest; and he himself, while holding in his hands the emblem cup, says, “It is my blood, shed for many, for the remission of sins.” Let us reason on it as we will, this story of the cross, presented without explanation in the simple metaphor of the Bible, has produced an effect on human nature wholly unaccountable. In every age and clime, with every variety of habit, thought, and feeling, from the cannibals of New Zealand and Madagascar to the most enlightened and scientific minds in Christendom, one feeling, essentially homogeneous in its character and results, has arisen in view of this cross. There is something in it that strikes one of the great nerves of simple, unsophisticated humanity, and meets its wants as nothing else will. Ages ago, Paul declared to philosophizing Greek and scornful Roman that he was not ashamed of this gospel, and alleged for his reason this very adaptedness to humanity. A priori, many would have said that Paul should have told of Christ living, Christ preaching, Christ working miracles, not omitting also the pathetic history of how he sealed all with his blood; but Paul declared that he determined to know nothing else but Christ crucified. He said it was a stumbling block to the Jew, an absurdity to the Greek; yet he was none the less positive in his course. True, there was many then, as now, who looked on with the most philosophic and cultivated indifference. The courtly Festus, as he settled his purple tunic, declared he could make nothing of the matter, only a dispute about one Jesus, who was dead, and whom Paul affirmed to be alive; and perchance some Athenian, as he reclined on his ivory couch at dinner, after the sermon on Mars Hill, may have disposed of the matter very summarily, and passed on to criticisms on Samian wine and marble vases. Yet in spite of their disbelief, this story of Christ has outlived them, their age and nation, and is to this hour as fresh in human hearts as if it were just published. This “one Jesus which was dead, and whom Paul affirmed to be alive,” is nominally, at least, the object of religious homage in all the more cultivated portions of the globe; and to hearts scattered through all regions of the earth this same Jesus is now a sacred and living name, dearer than all household sounds, all ties of blood, all sweetest and nearest affections of humanity. “I am ready not only to be bound, but also to die for the name of the Lord Jesus,” are words that have found an echo in the bosoms of thousands in every age since then; that would, if need were, find no less echo in thousands now. Considering Christ as a man, and his death as a mere pathetic story,–considering him as one of the great martyrs for truth, who sealed it with his blood,–this result is wholly unaccountable. Other martyrs have died, bravely and tenderly, in their last hours “bearing witness of the godlike” that is in man; but who so remembers them? Who so loves them? To whom is any one of them a living presence, a life, an all? Yet so thousands look on Jesus at this hour.