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A Question Of Plumage
by
The dilemma may seem a trifling one, but to Stockton’s sensitive nature it was gross indeed. He and his wife knew that they could offer but little to make the poet’s visit charming. New Utrecht, on the way to Coney Island, is not a likely perching ground for poets; the house was small, shabby, and the spare room had long ago been made into a workshop for the two boys, where they built steam engines and pasted rotogravure pictures from the Sunday editions on the walls. The servant was an enormous coloured mammy, with a heart of ruddy gold, but in appearance she was pure Dahomey. The bathroom plumbing was out of order, the drawing-room rug was fifteen years old, even the little lawn in front of the house needed trimming, and the gardener would not be round for several days. And Verne had given them only a few hours’ notice. How like a poet!
In his letters Stockton had innocently boasted of the pleasant time they would have when the writer should come to visit. He had spoken of evenings beside the fire when they would talk for hours of the things that interest literary men. What would Verne think when he found the hearth only a gas log, and one that had a peculiarly offensive odour? This sickly sweetish smell had become in years of intimacy very dear to Stockton, but he could hardly expect a poet who lived in Well Walk, Hampstead (O Shades of Keats!), and wrote letters from a London literary club, to understand that sort of thing. Why, the man was a grandson of Jules Verne, and probably had been accustomed to refined surroundings all his life. And now he was doomed to plumb the sub-fuse depths of New Utrecht!
Stockton could not even put him up at a club, as he belonged to none but the golf club, which had no quarters for the entertainment of out-of-town guests. Every detail of his home life was of the shabby, makeshift sort which is so dear to one’s self but needs so much explaining to outsiders. He even thought with a pang of Lorna Doone, the fat, plebeian little mongrel terrier which had meals with the family and slept with the children at night. Verne was probably used to staghounds or Zeppelin hounds or something of the sort, he thought humorously. English poets wear an iris halo in the eyes of humble American reviewers. Those godlike creatures have walked on Fleet Street, have bought books on Paternoster Row, have drunk half-and-half and eaten pigeon pie at the Salutation and Cat, and have probably roared with laughter over some alehouse jest of Mr. Chesterton.
Stockton remembered the photograph Verne had sent him, showing a lean, bearded face with wistful dark eyes against a background of old folios. What would that Olympian creature think of the drudge of New Utrecht, a mere reviewer who sold his editorial copies to pay for shag tobacco!
Well, thought Stockton, as he crossed the bridge, rejoicing not at all in the splendid towers of Manhattan, candescent in the April sun, they had done all they could. He had left his wife telephoning frantically to grocers, cleaning women, and florists. He himself had stopped at the poultry market on his way to the trolley to order two plump fowls for dinner, and had pinched them with his nervous, ink-stained fingers, as ordered by Mrs. Stockton, to test their tenderness. They would send the three younger children to their grandmother, to be interned there until the storm had blown over; and Mrs. Stockton was going to do what she could to take down the rotogravure pictures from the walls of what the boys fondly called the Stockton Art Gallery. He knew that Verne had children of his own: perhaps he would be amused rather than dismayed by the incongruities of their dismantled guestroom. Presumably, the poet was aver here for a lecture tour–he would be entertained and feted everywhere by the cultured rich, for the appreciation which Stockton had started by his modest little essay had grown to the dimension of a fad.