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PAGE 2

A Great Man
by [?]

. . . . .

These trees thinned and fell away from each other, and I came out into deep grass and a road. I remember being surprised that the evening was so far advanced; I had a fancy that this valley had a sunset all to itself. I went along that road according to directions that had been given me, and passed the gateway in a slight paling beyond which the wood changed only faintly to a garden. It was as if the curious courtesy and fineness of that character I was to meet went out from him upon the valley; for I felt on all these things the finger of that quality which the old English called “faerie”; it is the quality which those can never understand who think of the past as merely brutal; it is an ancient elegance such as there is in trees. I went through the garden and saw an old man sitting by a table, looking smallish in his big chair. He was already an invalid, and his hair and beard were both white; not like snow, for snow is cold and heavy, but like something feathery, or even fierce; rather they were white like the white thistledown. I came up quite close to him; he looked at me as he put out his frail hand, and I saw of a sudden that his eyes were startlingly young. He was the one great man of the old world whom I have met who was not a mere statue over his own grave.

He was deaf and he talked like a torrent. He did not talk about the books he had written; he was far too much alive for that. He talked about the books he had not written. He unrolled a purple bundle of romances which he had never had time to sell. He asked me to write one of the stories for him, as he would have asked the milkman, if he had been talking to the milkman. It was a splendid and frantic story, a sort of astronomical farce. It was all about a man who was rushing up to the Royal Society with the only possible way of avoiding an earth-destroying comet; and it showed how, even on this huge errand, the man was tripped up at every other minute by his own weakness and vanities; how he lost a train by trifling or was put in gaol for brawling. That is only one of them; there were ten or twenty more. Another, I dimly remember, was a version of the fall of Parnell; the idea that a quite honest man might be secret from a pure love of secrecy, of solitary self-control. I went out of that garden with a blurred sensation of the million possibilities of creative literature. The feeling increased as my way fell back into the wood; for a wood is a palace with a million corridors that cross each other everywhere. I really had the feeling that I had seen the creative quality; which is supernatural. I had seen what Virgil calls the Old Man of the Forest: I had seen an elf. The trees thronged behind my path; I have never seen him again; and now I shall not see him, because he died last Tuesday.